Dahil Sa Iyo: The performative power of Imelda's song.
- Published in:
- Women & Performance, 2010, v. 20, n. 2, p. 119, doi. 10.1080/0740770X.2010.492168
- By:
- Publication type:
- Article
Works matching Marcos, Imelda Romualdez, 1929-
Results: 10
1
2
Media star and monster: Spectacle and the “Imeldific”.
- Published in:
- 2005
- By:
- Publication type:
- Essay
3
Staging Identities and Events in Here Lies Love: Adaptation, Immersive Theater, and the Biopic.
- Published in:
- South Atlantic Review, 2016, v. 81, n. 2, p. 46
- By:
- Publication type:
- Article
4
CARLOS CELDRAN With a Wink and a Nudge.
- Published in:
- ArtAsiaPacific, 2012, n. 81, p. 72
- By:
- Publication type:
- Article
5
The Queer Afterlife of the Postcolonial City: (Trans)gender Performance and the War of Beautification.
- Published in:
- Antipode, 2015, v. 47, n. 3, p. 580, doi. 10.1111/anti.12101
- By:
- Publication type:
- Article
6
Marcos, martial law and memory The past in our future in the Philippines.
- Published in:
- Pacific Journalism Review: Te Koakoa, 2022, v. 28, n. 1/2, p. 54, doi. 10.24135/pjr.v28i1and2.1239
- By:
- Publication type:
- Article
7
From power to architecture: an analysis on the identity transformation of Tagaytay people's park in the sky through edifice complex and democratization theory.
- Published in:
- City, Territory & Architecture, 2023, v. 10, n. 1, p. 1, doi. 10.1186/s40410-023-00217-1
- By:
- Publication type:
- Article
8
The Possibilities and Limitations of First-Lady Diplomacy: Imelda Marcos and the Nixon Administration.
- Published in:
- Diplomatic History, 2016, v. 40, n. 2, p. 327, doi. 10.1093/dh/dhu073
- Publication type:
- Article
9
Lifestyles of the Rich and Tyrannical.
- Published in:
- American Scholar, 1987, v. 56, n. 2, p. 235
- By:
- Publication type:
- Article
10
"Why Don't You Love Me?": Post/colonial Camp and the Imeldific Fetish in Here Lies Love.
- Published in:
- 2019
- By:
- Publication type:
- Performance Review