How Did Lubitsch Do It?
- Published in:
- 2021
- By:
- Publication type:
- Book Review
Works matching Lubitsch, Ernst, 1892-1947
Results: 32
1
2
Von Sternberg, Lubitsch, and Lang in the work of Manuel Puig.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 3, p. 181
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- Publication type:
- Article
3
A shared impulse: The significance of language in Oscar Wilde's and Ernst Lubitsch's Lady...
- Published in:
- Literature Film Quarterly, 1991, v. 19, n. 1, p. 7
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- Article
4
The Importance of Being Ernst: Lubitsch and Lady Windermere's Fan.
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- Literature Film Quarterly, 1983, v. 11, n. 2, p. 120
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- Article
5
Lubitsch and the Filmed--Play Syndrome.
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- Literature Film Quarterly, 1975, v. 3, n. 4, p. 299
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- Article
6
McCormick, Rick. Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch.
- Published in:
- 2021
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- Publication type:
- Book Review
7
"Clearly it's nothing alarming ... It's only Shakespeare": Conjuring the Shakespeare Specter in Ernst Lubitsch's To Be or Not To Be.
- Published in:
- 2015
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- Publication type:
- Film/TV Criticism and Review
8
Sex, Politics, and Comedy: The Transnational Cinema of Ernst Lubitsch.
- Published in:
- 2021
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- Publication type:
- Book Review
9
Sex, Politics, and Comedy: the Transnational Cinema of Ernst Lubitsch: RICHARD W. McCORMICK, 2020, Bloomington, in, Indiana University Press, pp. xii + 356, illus., $95.00 (cloth), $48.00 (paper).
- Published in:
- 2022
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- Publication type:
- Book Review
10
Surface vs depth: Ernst Lubitsch's That Uncertain Feeling as anti-late modernism.
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- Comedy Studies, 2012, v. 3, n. 1, p. 53, doi. 10.1386/cost.3.1.53_1
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- Article
11
Dark Temporalities: Technologies of Race and Lighting in Ernst Lubitsch's The Loves of Pharaoh (1922).
- Published in:
- Film History, 2021, v. 33, n. 2, p. 60, doi. 10.2979/filmhistory.33.2.03
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- Article
12
Lubitsch, acting and the silent romantic comedy.
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- Film History, 2001, v. 13, n. 4, p. 390, doi. 10.2979/FIL.2001.13.4.390
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- Publication type:
- Article
13
The Circle: Lubitsch and the theatrical farce tradition.
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- Film History, 2001, v. 13, n. 4, p. 372, doi. 10.2979/FIL.2001.13.4.372
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- Article
14
Scott Eyman, Ernst Lubitsch: Laughter in Paradise.
- Published in:
- 1999
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- Publication type:
- Book Review
15
Jews, Germans, and Comedy: Re-viewing Ernst Lubitsch's To Be or Not to Be.
- Published in:
- Shofar: An Interdisciplinary Journal of Jewish Studies, 2021, v. 39, n. 2, p. 1, doi. 10.1353/sho.2021.0024
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- Publication type:
- Article
16
Rethinking the role of film in German history: The Jewish comedies of the Weimar Republic.
- Published in:
- Rethinking History, 2010, v. 14, n. 4, p. 569, doi. 10.1080/13642529.2010.515811
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- Publication type:
- Article
17
Lubitsch, Shakespeare, and the Theatricality of Power∗.
- Published in:
- October, 2021, n. 178, p. 55, doi. 10.1162/octo_a_00439
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- Publication type:
- Article
18
Use No Hooks: Maurice Pialat/Manny Farber.
- Published in:
- 2015
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- Publication type:
- Film/TV Criticism and Review
19
Ernst Lubitsch & the Transnational Twenties: The Student Prince in Old Heidelberg (USA 1927).
- Published in:
- Transit, 2016, v. 10, n. 2, p. 1, doi. 10.5070/t7102031166
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- Article
20
The Pre-Hollywood Lubitsch.
- Published in:
- 1975
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- Publication type:
- Excerpt
21
The Hidden and the Unspeakable: On Theatrical Culture, Oscar Wilde and Ernst Lubitsch's Lady Windermere's Fan.
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- Film Studies, 2004, v. 4, n. 0, p. 12, doi. 10.7227/FS.4.2
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- Publication type:
- Article
22
The Arabian Nights in Weimar Cinema: Recontextualizing Campy Fantasies of Gender, Sex, and Ethnicity in Lotte Reiniger’s The Adventures of Prince Achmed (1926) and Ernst Lubitsch’s Sumurun (1920).
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- Colloquia Germanica, 2024, v. 57, n. 4, p. 385, doi. 10.24053/CG-2024-0019
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- Publication type:
- Article
23
Femmes et enfants en lutte. Sur la spectatorialité dans les critiques de cinéma de Hasumi Shigehiko.
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- Ebisu, 2022, n. 59, p. 273, doi. 10.4000/ebisu.7279
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- Publication type:
- Article
24
"THE EYES ARE ALIVE!": Envisioning History in Ernst Lubitsch's The Eyes of the Mummy (1918).
- Published in:
- 2014
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- Publication type:
- Film/TV Criticism and Review
25
Gender and ideological rivalry in Ninotchka and Circus: the capitalist and communist make-over.
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- Studies in Russian & Soviet Cinema, 2014, v. 8, n. 1, p. 2, doi. 10.1080/17503132.2014.881614
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- Article
26
An Audiovisual Topos: The 'Butler' Character.
- Published in:
- Textus, 2021, v. 34, n. 1, p. 181
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- Publication type:
- Article
27
Lubitsch's To Be or Not to Be: The Question of Simulation in Cinema.
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- Film Criticism, 2001, v. 26, n. 2, p. 19
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- Article
28
Shylock's Revenge: The Doubly Vanished Jew in Ernst Lubitsch's To Be or Not to Be.
- Published in:
- 1996
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- Publication type:
- Film/TV Criticism and Review
29
Rhetoric in film: a cultural semiotical study of Greta Garbo in Ninotchka.
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- Film International (16516826), 2006, v. 4, n. 5, p. 52, doi. 10.1386/fiin.4.5.52
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- Article
30
Rethinking Inside and Outside: The Door in Ernst Lubitsch's When I Was Dead and Charlie Chaplin's The Adventurer.
- Published in:
- Film-Philosophy, 2023, v. 27, n. 1, p. 79, doi. 10.3366/film.2023.0218
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- Publication type:
- Article
31
Love Objects: Eros and the Materialistic Aesthetics of Ernst Lubitsch.
- Published in:
- Film-Philosophy, 2023, v. 27, n. 1, p. 64, doi. 10.3366/film.2023.0217
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- Publication type:
- Article
32
The Verbal-Visual "Touch": Reconsidering Ernst Lubitsch's Transition to Sound.
- Published in:
- Image & Narrative, 2017, v. 18, n. 3, p. 107
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- Publication type:
- Article