Life and Text as Spectacle: Sacrificial Repetitions in Duras's The North China Lover.Published in:Literature Film Quarterly, 2004, v. 32, n. 4, p. 279By:Sample III, C. K.Publication type:Article
The Absolute Self(ie): How Autofiction Writes the Relational.Published in:English Studies in Canada, 2019, v. 45, n. 1/2, p. 113, doi. 10.1353/esc.2019.0003By:Largent, ChelseaPublication type:Article
Objectifying the Subjective: The Autobiographical Act of Duras's The Lover.Published in:2001By:Staley, Jeffrey S.;Edson, LauriePublication type:Literary Criticism
Beyond Symbolic Rape: The Insidious Trauma of Conquest in Marguerite Duras's The Lover and Eileen Chang's "Lust, Caution".Published in:Feminist Formations, 2016, v. 28, n. 3, p. 1, doi. 10.1353/ff.2016.0041By:Thompson, Zoë BrigleyPublication type:Article