'The porch of that enchaunted gate': Spenserian Influences and the Romance of Place in Lamia by John Keats.Published in:2011By:Badcoe, Tamsin TheresaPublication type:Poetry Review
The Collective Phallic Gaze, the Evil Eye and the Serpent in John Keats' Lamia and Yashar Kemal's To Crush the Serpent.Published in:Folklor / Edebiyat, 2020, n. 102, p. 347, doi. 10.22559/folklor.1110By:Karadaş, FıratPublication type:Article
East Meets West: Girish Karnad's Nagamandala and John Keats' "Lamia".Published in:IUP Journal of English Studies, 2019, v. 14, n. 4, p. 68By:K., Denish Raja DuraiPublication type:Article
Wronging Wrongs: The Haunting Transmotion of the Enchanted Gothic in John Keats’s Lamia.Published in:Journal of the Fantastic in the Arts, 2022, v. 33, n. 2, p. 33By:Schaak, Hogan D.Publication type:Article
Keats' 'Lamia': The Sense of a Non-Ending.Published in:1979By:Bernstein, Gene M.Publication type:Poetry Review
Charmides and The Sphinx: Wilde's Engagement with Keats.Published in:2008By:ROSS, IAINPublication type:Essay
Narrator and Reader in Lamia.Published in:1982By:Sitterson Jr., Joseph C.Publication type:Literary Criticism
Mortal and Immortal DNA: Craig Venter and Keats' "Lamia.".Published in:FASEB Journal, 2007, v. 21, n. 14, p. 3773, doi. 10.1096/fj.07-1201ufmBy:Weissmann, GeraldPublication type:Article