HISTORICAL CINEMATIC SPACE: The Architecture of Culture in Jean Renoir's Le Grande Illusion and Yasujiro Ozu's Tokyo Story.Published in:2014By:Cairns, GrahamPublication type:Film/TV Criticism and Review
The Mediterranean as a Society of Prisoners.Published in:Historical Journal, 2022, v. 65, n. 2, p. 527, doi. 10.1017/S0018246X21000376By:Calafat, GuillaumePublication type:Article
THE MILIEU OF THE PRISONER-OF-WAR CAMP IN LA GRANDE ILLUSION.Published in:2015By:CONROY, MELANIEPublication type:Essay
Lessons for the Neoliberal Age: Cinema and Social Solidarity from Jean Renoir to Jean-Pierre and Luc Dardenne.Published in:2014By:Scullion, RosemariePublication type:Film/TV Criticism and Review
Insurmountable in their wake: paradox and ideology in Cavell's title reading of La Grande Illusion.Published in:Film International (16516826), 2006, v. 4, n. 4, p. 43, doi. 10.1386/fiin.4.4.43By:Bird, MorganPublication type:Article
All quiet on the filmic front? Codeswitching and the representation of multilingual Europe in La Grande Illusion (Jean Renoir, 1937) and Joyeux Noël (Christian Carion, 2005).Published in:Journal of Romance Studies, 2010, v. 10, n. 2, p. 37, doi. 10.3828/jrs.10.2.37By:Smith, AlisonPublication type:Article