Works matching Konstantin Stanislavsky
1
- Stanislavski Studies, 2020, v. 8, n. 1, p. 7, doi. 10.1080/20567790.2019.1700734
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2
- Theatre History Studies, 2004, v. 24, p. 25
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7
- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 59, doi. 10.30395/WSR.202212_16(1).0003
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- Stanislavski Studies, 2024, v. 12, n. 2, p. 237, doi. 10.1080/20567790.2024.2406848
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10
- Studies in Theatre & Performance, 2021, v. 41, n. 1, p. 111, doi. 10.1080/14682761.2021.1889936
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11
- Journal of Film & Video, 2013, v. 65, n. 4, p. 29, doi. 10.5406/jfilmvideo.65.4.0029
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- Journal of Aesthetic Education, 2016, v. 50, n. 3, p. 53, doi. 10.5406/jaesteduc.50.3.0053
- PENNOCK, CLAIRE;
- PACKARD, DENNIS
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13
- Studies in Russian & Soviet Cinema, 2014, v. 8, n. 3, p. 184, doi. 10.1080/17503132.2014.969527
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14
- Theatre History Studies, 2005, v. 25, p. 173
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15
- Theatre Survey, 2018, v. 59, n. 2, p. 169, doi. 10.1017/S0040557418000054
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- Theatre Survey, 2006, v. 47, n. 1, p. 73, doi. 10.1017/S0040557406000068
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- Culture Crossroads, 2019, v. 14, p. 127
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- Metro, 2006, n. 149, p. 116
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21
- Opera Quarterly, 2011, v. 27, n. 2/3, p. 153, doi. 10.1093/oq/kbr017
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22
- Stanislavski Studies, 2021, v. 9, n. 2, p. 149, doi. 10.1080/20567790.2021.1940458
- Curpan, Gabriela;
- Grigoras, Ion Florin
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23
- Stanislavski Studies, 2021, v. 9, n. 1, p. 81, doi. 10.1080/20567790.2020.1860161
- Panov, Sergey;
- Ivashkin, Sergey
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24
- Stanislavski Studies, 2020, v. 8, n. 1, p. 123, doi. 10.1080/20567790.2020.1726086
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25
- Theatre, Dance & Performance Training, 2016, v. 7, n. 2, p. 139, doi. 10.1080/19443927.2016.1210372
- Paterson, Mary;
- McCaw, Dick
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26
- Theatre, Dance & Performance Training, 2013, v. 4, n. 3, p. 381, doi. 10.1080/19443927.2013.835217
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- 2013
- Arts/Entertainment Review
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- Contemporary Theatre Review, 2020, v. 30, n. 2, p. 168, doi. 10.1080/10486801.2020.1732953
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29
- Shakespeare Bulletin, 2013, v. 31, n. 4, p. 709, doi. 10.1353/shb.2013.0074
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31
- Connection Science, 2017, v. 29, n. 1, p. 43, doi. 10.1080/09540091.2016.1271397
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32
- Film History, 1998, v. 10, n. 4, p. 492
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33
- Studies in Musical Theatre, 2014, v. 8, n. 3, p. 213, doi. 10.1386/smt.8.3.213_2
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- Methis, 2022, v. 24, n. 30, p. 184, doi. 10.7592/methis.v24i30.22113
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35
- Perspectives in the Arts & Humanities Asia, 2016, v. 6, n. 2, p. 19
- Abad, Ricardo G.;
- Maramara, Melissa-Vera M.
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36
- International Review of the Aesthetics & Sociology of Music, 2015, v. 46, n. 2, p. 355
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38
- Il Saggiatore Musicale, 2009, v. 16, n. 1, p. 35
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39
- Journal of Screenwriting, 2017, v. 8, n. 3, p. 267, doi. 10.1386/josc.8.3.267_1
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40
- Theatre Survey, 2024, v. 65, n. 2, p. 113, doi. 10.1017/S0040557424000140
- Gainor, J. Ellen;
- Un, John
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41
- Theatre Survey, 1981, v. 22, n. 2, p. 201, doi. 10.1017/S0040557400005548
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42
- Fluminensia, 2015, v. 27, n. 2, p. 203
- Crnojević-Carić, Dubravka
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43
- Stanislavski Studies, 2023, v. 11, n. 2, p. 203, doi. 10.1080/20567790.2023.2258146
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- Stanislavski Studies, 2023, v. 11, n. 2, p. 153, doi. 10.1080/20567790.2023.2257716
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45
- Stanislavski Studies, 2023, v. 11, n. 2, p. 141, doi. 10.1080/20567790.2023.2246998
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47
- Stanislavski Studies, 2023, v. 11, n. 1, p. 63, doi. 10.1080/20567790.2023.2196297
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48
- Stanislavski Studies, 2023, v. 11, n. 1, p. 45, doi. 10.1080/20567790.2023.2196286
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- Stanislavski Studies, 2025, v. 13, n. 1, p. 17, doi. 10.1080/20567790.2025.2461511
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- Stanislavski Studies, 2024, v. 12, n. 2, p. 123, doi. 10.1080/20567790.2024.2407851
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