VERSIONS (CON-, IN-, AND PER-) IN MANUEL PUIG'S AND HECTOR BABENCO'S KISS OF THE SPIDER WOMAN, NOVEL AND FILM.Published in:Modern Fiction Studies, 1986, v. 32, n. 3, p. 417, doi. 10.1353/mfs.0.0040By:Boccia, MichaelPublication type:Article
De novela nacional a película transnacional. El proceso de adaptación de El beso de la mujer araña de Héctor Babenco.Published in:Imagofagia, 2020, n. 22, p. 194By:Jara, VictoriaPublication type:Article
São Paulo's Minhocão on Film.Published in:Sophia Journal, 2023, v. 8, n. 1, p. 79, doi. 10.24840/2183-8976_2023-0008_0001_8By:Williams, RichardPublication type:Article
Audience, Sentimental Postmodernism, and "Kiss of the Spider Woman."Published in:2008By:Davis, Kimberly ChabotPublication type:Literary Criticism
Cinematic Qualities in the Novel Kiss of the Spider Woman.Published in:1987By:Karetnikova, IngaPublication type:Arts/Entertainment Review
Adapting Kiss of the Spider Woman: Every Picture Tells A Story.Published in:Journal of Visual Literacy, 2010, v. 29, n. 2, p. 106, doi. 10.1080/23796529.2010.11674676By:Burke, KenPublication type:Article