ELIA KAZAN, 1909-2003.
- Published in:
- Afterimage, 2003, v. 31, n. 3, p. 2
- By:
- Publication type:
- Article
Works matching Kazan, Elia, 1909-2003
Results: 56
1
2
The Ambivalent Legacy of Elia Kazan: The Politics of the Post-HUAC Films.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
3
None Without Sin: Elia Kazan, Arthur Miller, and the Blacklist.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
4
The Immigrant Experience on Film: Kazan's America America.
- Published in:
- Film & History (03603695), 1987, v. 17, n. 3, p. 62, doi. 10.1353/flm.1987.a402691
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- Publication type:
- Article
5
ON THE WATERFRONT: ANOTHER LOOK.
- Published in:
- 1979
- By:
- Publication type:
- Arts/Entertainment Review
6
A Stretch of Verse.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
7
The Public Health Service and Film Noir: A Look Back at Elia Kazan's Panic in the Streets (1950).
- Published in:
- Public Health Reports, 2003, v. 118, n. 3, p. 178, doi. 10.1016/S0033-3549(04)50236-4
- By:
- Publication type:
- Article
8
Grounded in Reality: How Piggott, Arkansas Helped Create A Face in the Crowd.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
9
The Production Code Administration and Sexualized Spaces in East of Eden.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
10
Reviews DVD/Blu-ray.
- Published in:
- Film Matters, 2014, v. 5, n. 1, p. 80, doi. 10.1386/fm.5.1.80_5
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- Publication type:
- Article
11
Splendor in the Grass.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
12
Retrieval and Invention: The Adaptation of Texts and the Narrativization of Photographs in Films on Immigration.
- Published in:
- Journal of Modern Greek Studies, 2011, v. 29, n. 2, p. 153, doi. 10.1353/mgs.2011.0017
- By:
- Publication type:
- Article
13
A Tree Grows in Brooklyn.
- Published in:
- Quarterly Review of Film & Video, 2010, v. 27, n. 5, p. 406, doi. 10.1080/10509208.2010.494996
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- Publication type:
- Article
14
THE UNITY OF PLACE IN ELIA KAZAN'S FILM VERSION OF "A STREETCAR NAMED DESIRE" BY TENNESSEE WILLIAMS: A Traditional Dramatic Category Seen from a Semiotic Point of View.
- Published in:
- Code / Kodikas, 1987, v. 10, n. 1-2, p. 83
- By:
- Publication type:
- Article
15
Dismembering Tennessee Williams: The Global Context of Lee Breuer's A Streetcar Named Desire.
- Published in:
- Theatre Symposium, 2017, v. 25, p. 64, doi. 10.1353/tsy.2017.0005
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- Publication type:
- Article
16
Imaginary Lands and Figures of Exile in Elia Kazan's AMERICA, AMERICA.
- Published in:
- Thamyris/Intersecting: Place, Sex & Race, 2007, v. 13, n. 1, p. 167
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- Publication type:
- Article
17
Institutional Argumentation and Institutional Rules: Effects of Interactive Asymmetry on Argumentation in Institutional Contexts.
- Published in:
- Argumentation, 2017, v. 31, n. 1, p. 1, doi. 10.1007/s10503-016-9395-5
- By:
- Publication type:
- Article
18
Blanche's Clothes in Elia Kazan's A Streetcar Named Desire: From Social Guise to Critique of the Film Medium.
- Published in:
- Fashion Theory: The Journal of Dress, Body & Culture, 2020, v. 24, n. 4, p. 567, doi. 10.1080/1362704X.2020.1746514
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- Publication type:
- Article
19
Tennessee William's Sweet Bird of Youth and William Inge's Bus Riley's Back in Town: Coincidences from a Friendship.
- Published in:
- American Drama, 2006, v. 15, n. 1, p. 62
- By:
- Publication type:
- Article
20
The Image of the Advertising Practitioner as Presented in the Mass Media, 1900-1972.
- Published in:
- American Journalism, 1985, v. 2, n. 2, p. 117, doi. 10.1080/08821127.1985.10731041
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- Publication type:
- Article
21
On the Spiritual Front.
- Published in:
- American Communist History, 2010, v. 9, n. 3, p. 253, doi. 10.1080/14743892.2010.538976
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- Publication type:
- Article
22
The Potato Eater Priest: On the Waterfronts Father Barry and His Real-life Counterpart.
- Published in:
- American Communist History, 2010, v. 9, n. 3, p. 235, doi. 10.1080/14743892.2010.533877
- By:
- Publication type:
- Article
23
Comments on Corridan.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
24
Elia Kazan Reconsidered.
- Published in:
- Freeman: Ideas on Liberty, 2012, v. 62, n. 6, p. 37
- By:
- Publication type:
- Article
25
Far and Away: Utopian Projections, Mythological Quest and The American Dream in Kazan's America America.
- Published in:
- Caietele Echinox, 2015, v. 29, p. 101
- By:
- Publication type:
- Article
26
American Gangster: Terry Malloy's Fight for Identity in On the Waterfront.
- Published in:
- 2022
- Publication type:
- Film/TV Criticism and Review
27
The Ambivalent Legacy of Elia Kazan: The Politics of the Post‐HUAC Films.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
28
Civil rights and the Black presence in Baby Doll.
- Published in:
- Literature Film Quarterly, 1996, v. 24, n. 1, p. 2
- By:
- Publication type:
- Article
29
The artful rerouting of A Streetcar Named Desire.
- Published in:
- Literature Film Quarterly, 1994, v. 22, n. 2, p. 72
- By:
- Publication type:
- Article
30
Auteurism, Creativity, and Entrophy in THE LAST TYCOON.
- Published in:
- 1982
- By:
- Publication type:
- Literary Criticism
31
Image and Ideology in Kazan's Pinky.
- Published in:
- Literature Film Quarterly, 1981, v. 9, n. 2, p. 110
- By:
- Publication type:
- Article
32
A Face in the Crowd (1957): History and Relevancy, from the Dawn of Television to the Digital Age.
- Published in:
- Journal of Popular Film & Television, 2021, v. 49, n. 1, p. 16, doi. 10.1080/01956051.2020.1772710
- By:
- Publication type:
- Article
33
Sur les quais des brumes: Mist, Mystification and Demystification in the French Reception of Elia Kazan's On the Waterfront.
- Published in:
- French Cultural Studies, 2008, v. 19, n. 1, p. 85, doi. 10.1177/1077727X07085719
- By:
- Publication type:
- Article
34
He 'coulda been a contender' for Miss America: Feminizing Brando in On the Waterfront.
- Published in:
- Canadian Review of American Studies, 2011, v. 41, n. 1, p. 97, doi. 10.3138/cras.41.1.97
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- Publication type:
- Article
35
An Image of Social Character: Elia Kazan's East of Eden.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
36
The Director Who Named Names.
- Published in:
- American Scholar, 2015, v. 84, n. 1, p. 90
- By:
- Publication type:
- Article
37
“Unconscious Acts of Aggression”: Tennessee Williams, Elia Kazan, and Key Rewritings of Sweet Bird of Youth.
- Published in:
- Tennessee Williams Annual Review, 2021, n. 20, p. 61, doi. 10.2307/48671063
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- Publication type:
- Article
38
"Seuls les Inconnus Pouvaient M'aveugler le Cœur": Reconsidering Cocteau's Streetcar.
- Published in:
- Tennessee Williams Annual Review, 2019, n. 18, p. 33, doi. 10.2307/48615456
- By:
- Publication type:
- Article
39
Period of Adjustment in Context: Tennessee Williams and Noël Coward.
- Published in:
- Tennessee Williams Annual Review, 2018, n. 17, p. 147, doi. 10.2307/48615447
- By:
- Publication type:
- Article
40
Marriage, Adultery, and Desire: A Subversive Subtext in BabyDoll.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
41
‘Between Window and Frame’: Distant Intimacy and Emotional Dialectics in Elia Kazan’s A Tree Grows in Brooklyn.
- Published in:
- Adaptation, 2014, v. 7, n. 3, p. 307, doi. 10.1093/adaptation/apu033
- By:
- Publication type:
- Article
42
A Streetcar Named Desire In the Light of the New Stagecraft.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
43
Comentarios al humanismo de John Ford.
- Published in:
- Revista de Comunicación, 2007, v. 6, p. 89
- By:
- Publication type:
- Article
44
Double Censorship: The Reception of Elia Kazan and Edward Dmytryk in SPAIN, 1946–77.
- Published in:
- Historical Journal of Film, Radio & Television, 2020, v. 40, n. 2, p. 257, doi. 10.1080/01439685.2019.1622283
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- Publication type:
- Article
45
Elia Kazan's first testimony to the house committee on Un-American activities, executive session, 14 January 1952.
- Published in:
- Historical Journal of Film, Radio & Television, 2005, v. 25, n. 2, p. 251, doi. 10.1080/01439680500138068
- By:
- Publication type:
- Article
46
'The big shot had become the outsider': Empathy and circumstance in Elia Kazan's 'southern trilogy'.
- Published in:
- European Journal of American Culture, 2022, v. 41, n. 1, p. 7, doi. 10.1386/ejac_00059_1
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- Publication type:
- Article
47
When Attention Must Be Paid: On Death of a Salesman.
- Published in:
- Performing Arts Resources, 2012, v. 29, p. 45
- By:
- Publication type:
- Article
48
Elia Kazan: A Retrospective.
- Published in:
- Film Criticism, 1985, v. 10, n. 1, p. 32
- By:
- Publication type:
- Article
49
A "Love Affair with the People in the Back Parts of This Country": Elia Kazan, the New Deal, and East Tennessee on Film.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
50
Shifting Shapes in Play and Performance: Blanche DuBois, from Witchy Female to Marginalized Other.
- Published in:
- Rocky Mountain Review of Language & Literature (1948-2833), 2020, v. 74, n. 1, p. 9
- By:
- Publication type:
- Article