Chapter 20. How Judas came with the high priests to capture Lord Jesus in the garden with weapons and lances and lanterns.Published in:William & Katherine Devers Series in Dante & Medieval Italian Literature, 2018, p. 115Publication type:Article
Judas Priest.Published in:România Literara, 2022, n. 42, p. 17By:bolea, ștefanPublication type:Article
Listening to "The Ballad of Frankie Lee and Judas Priest" While Reading The Confidence-Man.Published in:2021By:Peeples, ScottPublication type:Literary Criticism
FACTORY MUSIC: HOW THE INDUSTRIAL GEOGRAPHY AND WORKING-CLASS ENVIRONMENT OF POST-WAR BIRMINGHAM FOSTERED THE BIRTH OF HEAVY METAL.Published in:Journal of Social History, 2010, v. 44, n. 1, p. 145, doi. 10.1353/jsh.2010.0015By:Harrison, Leigh MichaelPublication type:Article
Explicit Lyrics: The First Amendment Free Speech Rulings That Have Protected Against Music Censorship In The United States.Published in:Loyola of Los Angeles Entertainment Law Review, 2023, v. 43, n. 3, p. 173By:Kasper, Eric T.Publication type:Article
'What is that to us? See to it yourself' (Mt 27:4): Making atonement and the Matthean portrait of the Jewish chief priests.Published in:Hervormde Teologiese Studies, 2014, v. 70, n. 1, p. 1, doi. 10.4102/hts.v70i1.2703By:Weaver, Dorothy JeanPublication type:Article
The kiss of Judas: the concept of treason in the Grand Duchy of Lithuania (late 13th–mid–16th centuries): by Andrej Ryčkov, Vilnius, Lithuanian Institute of History, 2018, 271 pp., €18.00, ISBN 978-6-09-818351-1 (hbk).Published in:2020By:Dikavičius, PovilasPublication type:Book Review