Post What? The Liminality of Multi-Racial Identity.Published in:Humanities (2076-0787), 2016, v. 5, n. 2, p. 46, doi. 10.3390/h5020046By:Morgan, Danielle FuentesPublication type:Article
HIDDEN CITIES, HIDDEN SELVES: LOST-RACE ROMANCE IN PAULINE HOPKINS'S OF ONE BLOOD AND WALTER MCDOUGALL'S THE HIDDEN CITY.Published in:2017By:Fiorelli, Julie A.Publication type:Book Review
LITTLE DEBBIE, OR THE LOGIC OF LATE CAPITALISM: CONSUMERISM, WHITENESS, AND ADDICTION IN MAT JOHNSON'S PYM.Published in:College Literature, 2017, v. 44, n. 2, p. 166, doi. 10.1353/lit.2017.0009By:CHRISTENSEN, TIMPublication type:Article
"Watch me go invisible": Representing Racial Passing in Mat Johnson and Warren Pleece's Incognegro.Published in:2015By:Moynihan, SinèadPublication type:Essay
The Old Weird.Published in:Modernism/Modernity, 2016, v. 23, n. 3, p. 631, doi. 10.1353/mod.2016.0055By:Marshall, KatePublication type:Article
Mat Johnson's Loving Day, Irish America, and Changing Models of Racial Identification.Published in:2019By:Tucker, AmandaPublication type:Literary Criticism