"for not in words can it be spoken": John Sullivan Dwight's Transcendental Music Theory and Herman Melville's "Pierre; or, The Ambiguities."Published in:2005By:McClendon, AaronPublication type:Literary Criticism
Fink, Hach, and Dwight's Beethoven in 1843-44.Published in:Musical Quarterly, 1992, v. 76, n. 4, p. 488, doi. 10.1093/mq/76.4.488By:Saloman, Ora FrishbergPublication type:Article