Correcting the 'grossest faults': Charles Jennens and the Composition of Handel's Messiah.Published in:Music & Letters, 2023, v. 104, n. 4, p. 533, doi. 10.1093/ml/gcad035By:Burrows, DonaldPublication type:Article
CHARLES JENNENS AS EDITOR OF SHAKESPEARE.Published in:Library, 1935, v. s4-XVI, n. 2, p. 236By:CROSSE, GORDONPublication type:Article
'Departed ghosts in living forms appear': Abiathar, Doeg, and Jennens's conception of Saul.Published in:Early Music, 2017, v. 45, n. 4, p. 629, doi. 10.1093/em/cax078By:Varka, NatassaPublication type:Article
The Amalekite Case and the Portrayal of Saul in Handel and Jennens’s Oratorio Saul (1739).Published in:2016By:Kim, MinjiPublication type:Case Study
Hallelujah!Published in:Choral Journal, 2014, v. 54, n. 10, p. 67By:Sharp, TimPublication type:Article
A CAREER OF WRITING FOR THE VOICE.Published in:Choral Journal, 2010, v. 51, n. 3, p. 20By:Kallembach, JamesPublication type:Article
The Mis-shapen Pearl: Morris, Handel, Milton, and L'Allegro, il Penseroso ed il Moderato.Published in:Dance Research, 2010, v. 28, n. 2, p. 200, doi. 10.3366/drs.2010.0104By:Duerden, RachelPublication type:Article