Cinema impuro: contaminações entre cinemae vídeo a partir de um olhar sobre a série História(s) do Cinema, de Jean-Luc Godard.
- Published in:
- Sessões do Imaginário, 2011, v. 16, n. 25, p. 66
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- Article
Works matching Jean-Luc Godard
Results: 389
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O lugar das imagens na escrita da História: Jean-Luc Godard, Eric Hobsbawm e Marc Ferro em Histoire Parallèle.
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- ArtCultura, 2018, v. 20, n. 36, p. 149, doi. 10.14393/ArtC-V20n36-2018-1-10
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- Article
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JEAN-LUC GODARD Y LA TELEVISIÓN. EL ARTE DE PENSAR Y EXPERIMENTAR EL DOCUMENTO.
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- Doc On-Line: Revista Digital de Cinema Documentário, 2015, n. 17, p. 23
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- Article
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Jean-Luc Godard et Maurice Pialat lisant Musset : rêves et restes d'une théâtralité romantique.
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- French Screen Studies, 2020, v. 20, n. 1, p. 6, doi. 10.1080/14715880.2018.1558028
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- Article
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영화의 시각효과와 정신분석의 관계성 연구 -장 뤽 고다르의 <경멸_Le Méris>을 중심으로-.
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- Journal of Digital Convergence, 2020, v. 18, n. 10, p. 409, doi. 10.14400/JDC.2020.18.10.409
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- Article
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"Resta saber se o não-pensamento contamina o pensamento": citação e invenção em Adeus à Linguagem de Jean-Luc Godard.
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- Cadernos de Literatura Comparada, 2019, n. 41, p. 171, doi. 10.21747/21832242/litcomp41a8
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- Article
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From Third Worldism to Empire: Jean-Luc Godard and the Palestine Question.
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- Third Text, 2009, v. 23, n. 5, p. 649, doi. 10.1080/09528820903185051
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Searching for alternatives: The evolution of the motif of work in Jean-Luc Godard's cinema in the years 1972-1982.
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- Studies in European Cinema, 2010, v. 7, n. 3, p. 209, doi. 10.1386/seci.7.3.209_1
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On Jean-Luc Godard, Jean Genet and representing the Palestinians.
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- Journal of European Studies, 2017, v. 47, n. 1, p. 54, doi. 10.1177/0047244116676672
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- Article
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Jean-Luc Godard and Walter Benjamin: metahistory, dialectical images and worldly theology.
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- French Screen Studies, 2024, v. 24, n. 3, p. 263, doi. 10.1080/26438941.2022.2151195
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- Article
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'To see a script': Jean-Luc Godard's re-envisioning of screenwriting in Passion (1982) and Scenario du film Passion (1982).
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- Journal of Screenwriting, 2011, v. 3, n. 1, p. 9, doi. 10.1386/josc.3.1.9_1
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Between two waves: Věra Chytilová and Jean-Luc Godard.
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- Studies in Eastern European Cinema, 2019, v. 10, n. 1, p. 22, doi. 10.1080/2040350X.2018.1469203
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- Article
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The Nostalgia For (Hi)stories in Jean-Luc Godard's Made in U.S.A.
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- Film International (16516826), 2018, v. 16, n. 1, p. 55, doi. 10.1386/fiin.16.1.55_1
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Cadre de vie. Jean-Luc Godard's Deux ou trois choses que je sais d'elle (1967), French TV and Architectural Discourse.
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- Film Quarterly / Kwartalnik Filmowy, 2020, n. 109, p. 68, doi. 10.36744/kf.274
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- Article
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Indicting Truth: Jean-Luc Godard's Sympathy for the Devil and 1960s documentary cinema.
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- 2013
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- Film/TV Criticism and Review
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Un poco de política: Jean-Luc Godard, la ciudad y la subjetividad contemporánea.
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- Arte, Individuo y Sociedad, 2023, v. 35, n. 4, p. 1505, doi. 10.5209/aris.88763
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- Article
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Vie et mort des images: L'iconologie critique de Jean-Luc Godard.
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- Écrans, 2024, n. 1, p. 39
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- Article
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La condición de exilio como línea de encuentro entre la Commedia de Dante y Notre Musique de Jean-Luc Godard.
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- 2011
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- Publication type:
- Film/TV Criticism and Review
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Jean-Luc Godard. 60 años insumiso.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2023, v. 25, p. 115, doi. 10.7203/eutopias.25.27126
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- Article
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Portrait of the artist as a pun man: humor and its structures in the films of Jean-Luc Godard.
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- New Review of Film & Television Studies, 2008, v. 6, n. 3, p. 269, doi. 10.1080/17400300802418586
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Radical Hope or the Moral Imperative of Images in the Work of Susan Sontag and Jean-Luc Godard.
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- Culture Unbound: Journal of Current Cultural Research, 2009, v. 1, p. 487, doi. 10.3384/cu.2000.1525.09128487
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Jean-Luc Godard's Le mépris : Conventional film music in an unconventional guise.
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- Soundtrack, 2021, v. 13, n. 1, p. 17, doi. 10.1386/ts_00014_1
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- Article
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O sagrado erótico em Je vous salue, Marie, de Jean-Luc Godard.
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- Numen: Revista de Estudos e Pesquisa da Religião, 2018, v. 21, n. 1, p. 179
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De artistas, consumidores y críticos: dinámicas del cambio, el gusto y la distinción en el campo artístico actual. Jean-Luc Godard y su Adiós al Lenguaje.
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- Cuadernos del Centro de Estudios de Diseño y Comunicación, 2017, v. 17, n. 62, p. 43
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- Article
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La revolución ausente. Fantasmas y ecos de Mayo del 68 en el cine documental de Jean-Luc Godard y el grupo Dziga Vertov.
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- Revista Fotocinema, 2018, n. 17, p. 209
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True Images: Metaphor, Metonymy and Montage in Marcel Proust's A la recherche du temps perdu and Jean-Luc Godard's Histoire(s) du cinéma.
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- Paragraph, 2010, v. 33, n. 1, p. 37, doi. 10.3366/E026483340900073X
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27
Everything is Cinema: The Working Life of Jean-Luc Godard.
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- 2010
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- Book Review
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Jean-Luc Godard's Film Socialisme and the Pedagogy of the Image.
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- Educational Philosophy & Theory, 2012, v. 44, n. 7, p. 681, doi. 10.1111/j.1469-5812.2011.00841.x
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Jean-Luc Godard's Diptychs. Rethinking Cinema through the Essay Film.
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- Quarterly Review of Film & Video, 2023, v. 40, n. 1, p. 16, doi. 10.1080/10509208.2021.1981091
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Practice Makes Imperfect: Technology and the Creative Imperfections of Jean-Luc Godard's Three-Dimensional (3D) Cinema.
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- Quarterly Review of Film & Video, 2017, v. 34, n. 3, p. 295, doi. 10.1080/10509208.2016.1209953
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The Cinema of the Interstice: Jean-Luc Godard's Prénom Carmen and the Power of Montage.
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- Quarterly Review of Film & Video, 2006, v. 23, n. 2, p. 111, doi. 10.1080/10509200590490619
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'Hearing' War Crimes: Affective Evocation of Violence and Political Engagement through Sound Editing in Jean-Luc Godard's Masculin Féminin (1965) and Michael Haneke's Caché (2005).
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- Film Matters, 2013, v. 4, n. 1, p. 9, doi. 10.1386/fm.4.1.9_1
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Filming translation: Subtitling and adaptation in Jean-Luc Godard's Contempt.
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- Journal of Adaptation in Film & Performance, 2015, v. 8, n. 3, p. 183, doi. 10.1386/jafp.8.3.183_1
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Montage(s) of a Disaster: Voyage(s) en utopie by Jean-Luc Godard.
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- Cinema Journal, 2015, v. 54, n. 2, p. 24, doi. 10.1353/cj.2015.0006
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The Nutty Professor: teaching film with Jean-Luc Godard.
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- 1999
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- Publication type:
- Essay
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The signs amongst us: Jean-Luc Godard's Histoire(s) du cinéma.
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- Screen, 1999, v. 40, n. 3, p. 306, doi. 10.1093/screen/40.3.306
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- Publication type:
- Article
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Introduction. Jean-Luc Godard: Histoire(s) du cinéma (1988-1998).
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- Screen, 1999, v. 40, n. 3, p. 304, doi. 10.1093/screen/40.3.304
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- Publication type:
- Article
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Video, the Cinematic, and the Post-Cinematic: On Jean-Luc Godard's Histoire(s) du Cinéma.
- Published in:
- 2018
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- Publication type:
- Film/TV Criticism and Review
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The Auteur as Fool: Bakhtin, Barthes, and the Screen Performances of Woody Allen and Jean-Luc Godard.
- Published in:
- 2011
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- Publication type:
- Film/TV Criticism and Review
40
Jean-Luc Godard's Pierrot le Fou.
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- Literature Film Quarterly, 1995, v. 23, n. 1, p. 39
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In the Still of the Museum: Jean-Luc Godard's Sixty-Year Voyage.
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- 2006
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- Publication type:
- Exhibition Review
42
"An eye that saw more lofty things than mortal eye is now struck blind" (Hölderlin): German politics and aesthetics in Jean-Marie Straub and Danièle Huillet's Der Tod des Empedokles (1986) and Jean-Luc Godard's Allemagne année 90 neuf zéro (1991)
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- Journal of Aesthetics & Culture, 2022, v. 14, n. 1, p. 1, doi. 10.1080/20004214.2022.2084811
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- Article
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Tarzan vs. IBM: Humans and Computers in Jean-Luc Godard's Alphaville.
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- Film Criticism, 2008, v. 33, n. 1, p. 45
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The History of the Future in Paris: Chris Marker and Jean-Luc Godard in the 1960s.
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- Film Criticism, 2000, v. 24, n. 3, p. 1
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Null-A Aesthetics: Science-Fiction Separation in Jean-Luc Godard’s Adieu au langage and A.E. van Vogt’s Null-A Three.
- Published in:
- 2018
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- Publication type:
- Literary Criticism
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Idées vagues/images claires: Image, Pedagogy, and Politics in the Films of Jean-Luc Godard, 1966 -1969.
- Published in:
- October, 2016, n. 157, p. 90, doi. 10.1162/OCTO_a_00260
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- Article
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AGAINST ADAPTATION: JEAN-LUC GODARD'S KING LEAR.
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- Litteraria Pragensia: Studies in Literature & Culture, 2010, v. 20, n. 39, p. 41
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- Article
48
"Interview with Jean-Luc Godard".
- Published in:
- 2015
- Publication type:
- Interview
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"It's Not Blood, It's Red": Color as Category, Color as Sensation in Jean-Luc Godard's Le Mépris, Pierrot Le Fou, Weekend, and Passion.
- Published in:
- Criticism, 2019, v. 61, n. 2, p. 245, doi. 10.1353/crt.2019.a730038
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Jean-Luc Godard: The Cinema in Doubt.
- Published in:
- M/C Journal, 2011, v. 14, n. 1, p. 2, doi. 10.5204/mcj.346
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- Publication type:
- Article