New materialist inter-ethnic crossing in Jen Sookfong Lee's The Better Mother.Published in:2025By:Zhou, QuanPublication type:Literary Criticism
Two views of Anglophone Southeast Asia: The Heinemann Writing in Asia series and Skoob Pacifica.Published in:2025By:Ang, AnnPublication type:Literary Criticism
Premchand, the playwright and the drama critic: Evaluating Hindi theatrescape in colonial India.Published in:2025By:Qadeer, HarisPublication type:Literary Criticism
Migration as resistance and compromise: From cosmopolitan ideals to postmigrant beginnings in The Good Immigrant and The Good Immigrant USA.Published in:2025By:Englund, LenaPublication type:Literary Criticism
Of sartorial mimicry and woman: Indian women emulating or rejecting English dress in women's late colonial writing.Published in:2025By:Bhamburkar, TariniPublication type:Literary Criticism
Revisiting the womanist-feminist continuum in Sefi Atta's Everything Good Will Come.Published in:2025By:Bailey, CarolPublication type:Literary Criticism
"Home out of home": South Africa, Central Europe, and "dark nostography".Published in:2025By:Kusek, RobertPublication type:Literary Criticism
Migration and postmemorial witnessing in contemporary African poetry.Published in:2025By:Adeoba, ′GbengaPublication type:Poetry Review
"Trying to twist your way out of your skin" — different faces of Chinese Canadian experience in selected poems by Grace Lau.Published in:2025By:Antoniak, JoannaPublication type:Poetry Review
Marriage migration, intimacy and genre in Helen Hoang's The Bride Test (2019) and Brigitte Bautista's You, Me, U.S. (2019).Published in:2025By:Burge, AmyPublication type:Literary Criticism