Fragments, Genius and Madness: Masks and Mask-Making in the fin-de-siècle Imagination.Published in:Synergies, 2021, v. 2, p. 65, doi. 10.4454/syn.v2.396By:MILONE, GIULIOPublication type:Article
The All-Female Revolution in Seamus Heaney's North.Published in:Synergies, 2021, v. 2, p. 45, doi. 10.4454/syn.v2.395By:PACINI, LIAPublication type:Article
Dystopia Revisited: Environmental Issues in Kirsty Logan's The Gracekeepers.Published in:Synergies, 2021, v. 2, p. 35, doi. 10.4454/syn.v2.394By:FERRARI, ROBERTAPublication type:Article
'Weak' Encounters: Walcott's Refiguring of Crusoe in "The Castaway", "Crusoe's Island", and "Crusoe's Journal".Published in:Synergies, 2021, v. 2, p. 25, doi. 10.4454/syn.v2.393By:CIOMPI, FAUSTOPublication type:Article
The Criminal Law Amendment Act of 1885, "The Maiden Tribute of Modern Babylon", and "The Canterville Ghost": Laws of Desire, Counter-Fictions, and Counter-Fantasies.Published in:Synergies, 2021, v. 2, p. 9, doi. 10.4454/syn.v2.392By:DAVIS, MICHAEL F.Publication type:Article