The music of Vito Žuraj.
- Published in:
- Nuove Musiche, 2020, v. 6, p. 161, doi. 10.12871/97888333972148
- By:
- Publication type:
- Article
Works matching IS 25317563 AND DT 2020 AND VI 6
Results: 8
1
2
Technology between performance and multimedia: an interview with Sarah Nemtsov.
- Published in:
- 2020
- By:
- Publication type:
- Interview
3
Reverse engineering of a semiotic machine. On Dmitri Kourliandski’s dasein 1&2 (To Say Nothing of III).
- Published in:
- Nuove Musiche, 2020, v. 6, p. 123, doi. 10.12871/97888333972146
- By:
- Publication type:
- Article
4
Marina Khorkova’s Compositional Practices: Research, Language, Techniques.
- Published in:
- Nuove Musiche, 2020, v. 6, p. 91, doi. 10.12871/97888333972145
- By:
- Publication type:
- Article
5
Andrea Agostini, gli atomi che si accendevano e radiavano, for barytone saxophone and live electronics: from the neutral to the poietic level.
- Published in:
- Nuove Musiche, 2020, v. 6, p. 67, doi. 10.12871/97888333972144
- By:
- Publication type:
- Article
6
Performing computer music: the case of Ryan Carter’s Trying to Connect.
- Published in:
- Nuove Musiche, 2020, v. 6, p. 41, doi. 10.12871/97888333972143
- By:
- Publication type:
- Article
7
Extended: An Introduction to the Work of Ashley F.
- Published in:
- Nuove Musiche, 2020, v. 6, p. 31, doi. 10.12871/97888333972142
- By:
- Publication type:
- Article
8
Timbre, gesture, communication and musical meaning in some recent works by Ondřej Adámek.
- Published in:
- Nuove Musiche, 2020, v. 6, p. 7, doi. 10.12871/97888333972141
- By:
- Publication type:
- Article