LANGUAGE AS A BATTLEFIELD: UKRAINIAN POSTCOLONIAL IDENTITY THROUGH HALYNA PAHUTIAK'S YOUNG ADULT NOVEL "THE WORLD'S EYE".
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 154, doi. 10.22601/PET.2023.09.06
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Works matching IS 25046616 AND DT 2024 AND VI 9
Results: 7
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VOICES FROM TRANSITION: LITERARY REFLECTIONS ON POSTSOCIALIST LIFE IN GERMAN AND ESTONIAN CONTEMPORARY LITERATURE.
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 129, doi. 10.22601/PET.2023.09.05
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3
„TAGURPIDI“ MITUT PIDI: ÕPETLIK, SÜRREALISTLIK, POSTMODERNISTLIK.
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 102, doi. 10.22601/PET.2023.09.04
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- Article
4
SIIRDEAJASTU INSTITUTSIONAALSED MUUTUSED EESTI TEATRIJA FILMIVALDKONNAS: VÕRDLEV ANALÜÜS.
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 60, doi. 10.22601/PET.2023.09.03
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5
HAIGUSE TEMAATIKA JA METAFOORIKA MADIS KÕIVU DRAMATURGIAS.
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 37, doi. 10.22601/PET.2023.09.02
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6
POSTMODERNISM SIIRDEAJASTU EESTI TEATRIS.
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 15, doi. 10.22601/PET.2023.09.01
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- Article
7
SIIRDEKULTUURI MOSAIIGID.
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- Philologia Estonica Tallinnensis, 2024, v. 9, p. 5, doi. 10.22601/PET.2023.09.00
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- Article