Wexford Festival Opera to Produce II Bravo.Published in:2018By:MacDougall, HughPublication type:Script/Play
From the Editor.Published in:James Fenimore Cooper Society Journal, 2018, v. 29, n. 1, p. 63By:S. H.Publication type:Article
A Brave New World: Wilderness Dreams and Female Empowerment from Vineland to the Pacific.Published in:2018By:Wegener, Signe O.Publication type:Literary Criticism
The Twin Caves at Glens Falls: Gothic Techniques in James Fenimore Cooper's The Last of the Mohicans.Published in:2018By:Kundu, GautamPublication type:Literary Criticism
A Matter of "Improvements": Cooper, Race, and Manuscript Alterations in the Transatlantic Revision of The Spy.Published in:2018By:Garcia, John J.Publication type:Literary Criticism
Race-Science Rhetoric as Political Panacea: James Fenimore Cooper's Influence on Harriet Beecher Stowe.Published in:2018By:Kadish, PhilipPublication type:Literary Criticism
Rethinking Cora and Alice, from Dime Novels to Debby Barnes.Published in:2018By:Clark, Beverly LyonPublication type:Literary Criticism
"She Never Can Become What She Once Was": Cooper, Sedgwick, and the American Pirate Story.Published in:James Fenimore Cooper Society Journal, 2018, v. 29, n. 1, p. 5By:Avila, BethPublication type:Article