LAYING DOWN THE RAILS: Sacred and Secular Groundwork in Zora Neale Hurston's Jonah's Gourd Vine and King Vidor's Hallelujah.Published in:2016By:WINGARD, LESLIEPublication type:Literary Criticism
FANTASY AND HAITI'S ERASURE IN WILLIAM FAULKNER'S ABSALOM, ABSALOM!Published in:2016By:RAIFORD, WANDAPublication type:Literary Criticism
NOT REAL GOOD AT MODERN LIFE: Appalachian Pentecostals in the Works of Lee Smith.Published in:2016By:CONNOLLY, ANDREWPublication type:Literary Criticism
"I'D SING YOU A SONG IF I COULD SING": Art and Artifice in Ellen Douglas's Can't Quit You, Baby.Published in:2016By:DEWALD, JAYDNPublication type:Literary Criticism
TASTE AS EMOTION: The Synesthetic Body in Monique Truong's Bitter in the Mouth.Published in:2016By:BRANDT, JENNIFERPublication type:Literary Criticism
DECLINING MISERY: Rural Florida's Hmong and Korean Farmers.Published in:South: A Scholarly Journal, 2016, v. 49, n. 1, p. 25By:JOO OK KIMPublication type:Article
RE-IMAGINING SLAVERY IN THE HIP-HOP IMAGINATION.Published in:South: A Scholarly Journal, 2016, v. 49, n. 1, p. 3By:BRADLEY, REGINA N.Publication type:Article
EDITOR'S NOTE HOLDING PATTERN.Published in:South: A Scholarly Journal, 2016, v. 49, n. 1, p. 1By:HOLLAND, SHARON P.Publication type:Article