Taoist Death Care in Medieval China—An Examination of Wu Tong's (吳通) Epitaph.Published in:Literature (2410-9789), 2023, v. 3, n. 4, p. 473, doi. 10.3390/literature3040032By:Wang, LianlongPublication type:Article
Fairy Tale Sources and Rural Settings in Dario Argento's Supernatural Horror.Published in:Literature (2410-9789), 2023, v. 3, n. 4, p. 457, doi. 10.3390/literature3040031By:Vorissis, PeterPublication type:Article
Capitalism, Ecosocialism and Reparative Readers in Ursula Le Guin's The Word for World Is Forest.Published in:2023By:Roy, SneharikaPublication type:Literary Criticism
Gothic Fairy-Tale Feminism: The Rise of Eyre/'Error'.Published in:2023By:Farrar, Aileen MiyukiPublication type:Literary Criticism
All the Better to Eat You with: Sexuality, Violence, and Disgust in 'Little Red Riding Hood' Adaptations.Published in:2023By:Welsh-Burke, NicolaPublication type:Literary Criticism
Interactivity and Influence: A Research on the Relationship between Epitaph (muzhi 墓志) and Mourning Poetry for Deceased Wives in Ancient China.Published in:Literature (2410-9789), 2023, v. 3, n. 4, p. 402, doi. 10.3390/literature3040027By:Yang, QiongPublication type:Article
As in Forests, So in Verse: Clearings and the Poetics of Lack in Finnish Forest Poetry.Published in:2023By:Lummaa, KaroliinaPublication type:Poetry Review