Works matching IS 2392862X AND DT 2021 AND VI 8 AND IP 1
Results: 17
The Representation of the Bible in Painting.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 276, doi. 10.35218/armca.2021.1.17
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Zamfira Bîrzu's artistic approach -- a way to transfigure the human.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 273, doi. 10.35218/armca.2021.1.16
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A French Professor Emeritus on Tertiary Education in Medieval Times.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 267, doi. 10.35218/armca.2021.1.15
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About angels.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 255, doi. 10.35218/armca.2021.1.14
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Aby Warburg: The Collective Memory as a Medium for Art.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 244, doi. 10.35218/armca.2021.1.13
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Archetypes in Today's Advertising.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 233, doi. 10.35218/armca.2021.1.12
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The illusion of "The Garden" A reflection on the works and ideas of the painter Hieronymus Bosch, through the perspective of present day thinkers and concepts.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 223, doi. 10.35218/armca.2021.1.11
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Anatomical States -- Between Pathology And Visual Expressiveness.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 207, doi. 10.35218/armca.2021.1.10
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Photographic appropriation vs. Baroque painting expressiveness. Postmodern artistic practices in Benetton advertising.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 195, doi. 10.35218/armca.2021.1.09
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Art roman et art moderne : « affinités sentimentales ».
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 165, doi. 10.35218/armca.2021.1.08
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Explanation and Chronology of Megalithic Tombs in North-Western Iran (Based on the Excavations of the Scythian Cemetery in Khorram Abad), Meshgin Shahr.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 143, doi. 10.35218/armca.2021.1.07
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Medieval Art, National Architectural Heritage and Museums in Late 19th Century Romania.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 109, doi. 10.35218/armca.2021.1.06
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Differences in the Iconography of the Plot the Last Supper in the Illuminations of the Gospels and Psalters of the 10<sup>th</sup> -- 14<sup>th</sup> Centuries Created in the Byzantine Empire.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 91, doi. 10.35218/armca.2021.1.05
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Directions of the Old Rus Church Architecture Development of the 12<sup>th</sup> -- the first third of the 13<sup>th</sup> century.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 65, doi. 10.35218/armca.2021.1.04
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The iconographical diversity of the Sirens' physical forms in medieval bestiaries.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 51, doi. 10.35218/armca.2021.1.03
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The Roman Catholic Liturgy and Its Role in the Composer's Missa Formation.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 39, doi. 10.35218/armca.2021.1.02
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« Par le sornon connoist on l'ome » Le roman de Perceval ou l'art du romancier.
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- Anastasis: Research in Medieval Culture & Art, 2021, v. 8, n. 1, p. 11, doi. 10.35218/armca.2021.1.01
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