Works matching IS 23536098 AND DT 2021 AND VI 7 AND IP 1
Results: 10
Teaching Psychomachia in The Castle of Perseverance.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 89, doi. 10.18778/2353-6098.7.10
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O VENICE!
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 81, doi. 10.18778/2353-6098.7.09
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Café Zelig: A Seniors' Hangout and a Whole Lot of History.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 77, doi. 10.18778/2353-6098.7.08
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Tanja Cummings' Line 41: A Reflection.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 75, doi. 10.18778/2353-6098.7.07
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Shakespearean Doubling: Issues of Action, Theme and Stage Presence.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 61, doi. 10.18778/2353-6098.7.06
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Introduction.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 59, doi. 10.18778/2353-6098.7.05
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Them and Us - Pintér Béla's Blood-Red, Off-White, Dark Green and András Urbán's Sacra Hungarica in Context.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 46, doi. 10.18778/2353-6098.7.04
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Symptomizing Crises. Theatres of the Pandemic - Isolated But Open and Inside/Outside.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 32, doi. 10.18778/2353-6098.7.03
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Religious and Emotional Communities in John Heywood and John Bale's Interludes.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 22, doi. 10.18778/2353-6098.7.02
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"Don't Mention the War": Live Aid Concert and UEFA EURO 2020 Finals as Examples of the Separation of Global Mega-events from Political Conflict.
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- Analyses / Rereadings / Theories: A Journal Devoted to Literature, Film & Theatre, 2021, v. 7, n. 1, p. 7, doi. 10.18778/2353-6098.7.01
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