Works matching IS 2344200X AND DT 2022 AND VI 15
Results: 73
Metaphysical Meanings and Archetypal Romanian Symbols in Today's Romanian Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 31, doi. 10.31926/but.pa.2022.15.64.3.4
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Mancini vs. Manfredini, or the Tril Controversy.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 7, doi. 10.31926/but.pa.2022.15.64.3.1
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Silence in Music: L. van Beethoven and J. S. Bach. Aesthetic Approach.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 25, doi. 10.31926/but.pa.2022.15.64.3.3
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Mastering the Musical Memory of the Skilled Pianist.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 119, doi. 10.31926/but.pa.2022.15.64.2.13
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Quarter-tones, Glissandi and their Benefits in Flute Embouchure and Tuning.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 107, doi. 10.31926/but.pa.2022.15.64.2.12
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Vocal Ornamentation in the 18th century - Tosi and Mancini, first Theorists of Bel Canto.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 21, doi. 10.31926/but.pa.2021.14.63.2.2
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Is the Interpretation of the Tenor in Tombe degli avi miei from Lucia di Lammermoor by G. Donizetti, Lyric or Dramatic?
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 95, doi. 10.31926/but.pa.2022.15.64.2.11
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Methodical Projections: KEIKO ABE - MICHI.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 87, doi. 10.31926/but.pa.2022.15.64.2.10
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Rhythmic Therapy for Communications Improvement for the Hearing-impaired Children.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 79, doi. 10.31926/but.pa.2022.15.64.2.9
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Wieniawski's Legende and Enescu's The Undead: a Romantic-Neoclassical Dyad.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 69, doi. 10.31926/but.pa.2022.15.64.2.8
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The Musical Depiction of Chaos and Creation in Jean-Féry Rebel's Les Éléments.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 59, doi. 10.31926/but.pa.2022.15.64.2.7
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Musical Repertoire Written for Military Bands. Marches.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 52, doi. 10.31926/but.pa.2022.15.64.2.6
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Study for the Left Hand by Béla Bartók.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 43, doi. 10.31926/but.pa.2022.15.64.2.5
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Music Inspired by the Sea: A Musical Parallel between The Sea by C. Debussy and A Sea symphony by R. V. Williams.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 37, doi. 10.31926/but.pa.2022.15.64.2.4
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The Spinto Soprano Voice and Comparative Analysis. Aria Vissi d'arte from the opera Tosca by Giacomo Puccini.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 27, doi. 10.31926/but.pa.2022.15.64.2.3
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Music as Metaphor - A Therapeutic Approach.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 19, doi. 10.31926/but.pa.2022.15.64.2.2
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The Role of Amelia in Giuseppe Verdi's "Un ballo in maschera" - Vocality and Technical-interpretative Coordinates.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 7, doi. 10.31926/but.pa.2022.15.64.2.1
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An Overview of the Codes and Conventions of Drama Film Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 253, doi. 10.31926/but.pa.2022.15.64.3.27
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The Specifics of Sacred Music of the Transylvanian Space. The Context. The Course. Representative Figures.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 245, doi. 10.31926/but.pa.2022.15.64.3.26
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The Attitude towards School of the Children who Study a Musical Instrument, Compared to the Attitude of the Children who Do not.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 237, doi. 10.31926/but.pa.2022.15.64.3.25
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The Role of the Piano In Romanticism Approached by Serbian Composers.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 227, doi. 10.31926/but.pa.2022.15.64.3.24
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Structural Innovations in the First Movement of Beethoven's Sonata W. O. O. 47 No. 2 in F minor Kurfürsten (1783).
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 217, doi. 10.31926/but.pa.2022.15.64.3.23
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Rhetorical Analysis Benchmarks in the First Part of Shostakovich's Quartet no. 8.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 207, doi. 10.31926/but.pa.2022.15.64.3.22
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Hungarian Folk Dance Music of Transylvania - István Pávai - 2020.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 193, doi. 10.31926/but.pa.2021.14.63.3.19
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The Dobrudjan Traditional Ballad.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 191, doi. 10.31926/but.pa.2022.15.64.3.21
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Structural Elements in Music Therapy Sessions for Small Groups of Young Adults.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 183, doi. 10.31926/but.pa.2022.15.64.3.20
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Musical styles approached by Serbian composers in the first half of the 20<sup>th</sup> century.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 183, doi. 10.31926/but.pa.2021.14.63.3.18
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The collaborative pianist - Skills and excellence.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 177, doi. 10.31926/but.pa.2021.14.63.3.17
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Predominant Mental Processes in Musical Activities.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 173, doi. 10.31926/but.pa.2022.15.64.3.19
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Hypostases du cluster dans les oeuvres pour orgue de György Ligeti.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 165, doi. 10.31926/but.pa.2021.14.63.3.16
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Editorial News: At the piano with Alfred Cortot. Artists from Cluj at the École Normale de Musique.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 163, doi. 10.31926/but.pa.2022.15.64.3.18
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Evaluating cross-cultural Connections within the Modal Structure of Iranian Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 157, doi. 10.31926/but.pa.2022.15.64.3.17
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Pastorale by Naji Hakim - A Stylistic Approach.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 155, doi. 10.31926/but.pa.2021.14.63.3.15
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Developing Communication in People with ASD, with the Help of Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 151, doi. 10.31926/but.pa.2022.15.64.3.16
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Opera Agents in 20th Century (1) Opera business and singers' careers.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 147, doi. 10.31926/but.pa.2021.14.63.3.14
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The Personality of the Conductor, Teacher, Composer and Jury Gavriil MUSICESCU.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 139, doi. 10.31926/but.pa.2022.15.64.3.15
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Operatic singing - Implications of Technical Means in Changing Vocal Range.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 137, doi. 10.31926/but.pa.2021.14.63.3.13
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Christopher Bochmann's Essay XIII for Alto Saxophone Solo: Proposed Fingerings for Timbre Shifts and Multiphonics.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 129, doi. 10.31926/but.pa.2022.15.64.3.14
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Nuns Epiharia Moisescu and Magdalina Nicolescu, Authors of Church Hymns in 19<sup>th</sup> - 20<sup>th</sup> Centuries.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 128, doi. 10.31926/but.pa.2021.14.63.3.12
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The Feast of Lăzărel - an Example of Preservation through Adaptation of the Ethnocultural identity of the Greeks of Izvoarele Village in Tulcea County.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 121, doi. 10.31926/but.pa.2022.15.64.3.13
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The Bible and Musical Postmodernism.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 118, doi. 10.31926/but.pa.2021.14.63.3.11
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Reason and Time in the French Baroque: François Couperin's Leçons de ténèbres pour le mercredi saint (1714).
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 111, doi. 10.31926/but.pa.2022.15.64.3.12
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L'amour - source de tous les pleurs dans les opéras de Jean-Baptiste Lully.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 105, doi. 10.31926/but.pa.2021.14.63.3.10
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The Evolution of the Left-Hand Range in the Guitar Technique.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 99, doi. 10.31926/but.pa.2022.15.64.3.11
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The Heroic Myth in Modern Times. The Star Wars Franchise.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 87, doi. 10.31926/but.pa.2022.15.64.3.10
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Tracing the social-psychological causality relationships in Stravinski and Shostakovich through the violin chamber music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 85, doi. 10.31926/but.pa.2021.14.63.3.9
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The Valuation of the Original Text in an Opera Vocal Score: Meaning and Pronunciation.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 79, doi. 10.31926/but.pa.2022.15.64.3.9
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Representative Music of the Ministry of National Defense - decisive presence in the Romanian cultural and musical evolution.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 77, doi. 10.31926/but.pa.2021.14.63.3.8
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Tout...à la mesure! Qu'est-ce que c'est que l'Aksak?
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 71, doi. 10.31926/but.pa.2022.15.64.3.8
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The concept of style in the scenic interpretation of a musical score.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 69, doi. 10.31926/but.pa.2021.14.63.3.7
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