Theme and performance in Symphony No. 5 by Philip Glass.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 203, doi. 10.31926/but.pa.2020.13.62.3.22
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Works matching IS 2344200X AND DT 2020 AND VI 13
Results: 66
1
2
The appropriation of the necessary technique in singing performance.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 321, doi. 10.31926/but.pa.2020.13.62.2.35
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3
Drama-Music communication in Opera performance.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 313, doi. 10.31926/but.pa.2020.13.62.3.34
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- Article
4
The psychology of music creation.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 305, doi. 10.31926/but.pa.2020.13.62.3.33
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5
Le jeu avec les couleurs du Piano. Quelques exemples dans JÁTEKOK de György Kurtág.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 295, doi. 10.31926/but.pa.2020.13.62.3.32
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6
The parallelism between linguistics and music - Noam Chomsky and Heinrich Schenker.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 287, doi. 10.31926/but.pa.2020.13.62.3.31
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7
"From Pure Source Only" - Collection of Hungarian folk songs project.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 277, doi. 10.31926/but.pa.2020.13.62.3.30
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8
Teaching voice online: Reflection and a practical advice.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 267, doi. 10.31926/but.pa.2020.13.62.3.29
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9
The role of the Conductor of children's choirs in the improvement of Interpersonal Communication through Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 257, doi. 10.31926/but.pa.2020.13.62.3.28
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10
Syncretic art in the Musical Language of the Opus 27 by Eugène Ysaÿe.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 249, doi. 10.31926/but.pa.2020.13.62.3.27
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11
The Prolongation in the Music of Ravel.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 241, doi. 10.31926/but.pa.2020.13.62.3.26
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12
The Eighth Echos reflected in the doxastika sticheras from Dimitrie Suceveanu's Idiomelar.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 231, doi. 10.31926/but.pa.2020.13.62.3.25
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13
Le Théâtre Jorat du Mézières, Suisse, et l'histoire d'un chef-d'oeuvre musical, Le Roi David d'Arthur Honegger.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 221, doi. 10.31926/but.pa.2020.13.62.3.24
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- Article
14
The Method in musical interpretation.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 215, doi. 10.31926/but.pa.2020.13.62.3.23
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15
Aspects of the Common Implications in Time and Metric in Collective Free Improvisation in the Recorded Work: Musicking Shapes.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 191, doi. 10.31926/but.pa.2020.13.62.3.21
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- Article
16
La gestuelle dans les opéras de Lully. Le cas de la plainte d'Armide.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 183, doi. 10.31926/but.pa.2020.13.62.3.20
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17
Nun freut euch, lieben Christen g'mein, the first Lutheran choral from the first collection of Protestant hymns - a rhetorical analysis.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 175, doi. 10.31926/but.pa.2020.13.62.3.19
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18
Georg Ruzitska: Introduction et Variations brillantes sur un thème hongrois, op. 14.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 167, doi. 10.31926/but.pa.2020.13.62.3.18
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19
Art-Nouveau and the portrait of the Fin de Siècle woman in Jules Massenet's Cléopâtre.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 155, doi. 10.31926/but.pa.2020.13.62.3.17
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20
The Sound of the Stradivari Violin - between Tradition and Modernism.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 149, doi. 10.31926/but.pa.2020.13.62.3.16
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21
Repetitive minimalism in the work of Philip Glass. Composition techniques.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 141, doi. 10.31926/but.pa.2020.13.62.3.15
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22
The methodology of teaching wind and percussion instruments, through the children and youth's band.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 131, doi. 10.31926/but.pa.2020.13.62.3.14
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23
Innovative marketing in the performing arts.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 123, doi. 10.31926/but.pa.2020.13.62.3.13
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24
Evaluation of the stylistic path of authors of concertos composed for double bass and orchestra in XVIII-XX centuries.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 113, doi. 10.31926/but.pa.2020.13.62.3.12
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25
Double Concert in F Major by Antonio Soler.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 103, doi. 10.31926/but.pa.2020.13.62.3.11
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26
Musical Education aspects in the contemporary school based on the Theory of Multiple Intelligence.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 93, doi. 10.31926/but.pa.2020.13.62.3.10
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27
Stylistic aspects reflected in the musical choral volume Cântece pentru copii/Songs for children, signed by Dan Voiculescu.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 85, doi. 10.31926/but.pa.2020.13.62.3.9
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28
Vocal technique in the formation stages of the lyric artist.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 79, doi. 10.31926/but.pa.2020.13.62.3.8
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29
Sound polychromes in the choral creation of the composer Gheorghe Duţică.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 57, doi. 10.31926/but.pa.2020.13.62.3.6
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30
Hypostases de la temporalité dans l'oeuvre musicale, dans les concerts d'Aurel Stroe.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 49, doi. 10.31926/but.pa.2020.13.62.3.5
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31
The Maverick type of accomplished Concert Pianist of the XX century. Considerations about the musical profile and their special high performance rank.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 37, doi. 10.31926/but.pa.2020.13.62.3.4
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32
The directorial conception on operetta Silvia by Emmerich Kálmán.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 25, doi. 10.31926/but.pa.2020.13.62.3.3
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33
Tibetan Sacred Dances.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 17, doi. 10.31926/but.pa.2020.13.62.3.2
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34
Disinhibition of the public through happening-performance (III.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convicted to a "dead angle"- aesthetic - perspective
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 7
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35
Developing choral skills at a young age through choral singing.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 139, doi. 10.31926/but.pa.2020.13.62.2.15
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36
The Concept of Melody. A Structural point of view.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 131, doi. 10.31926/but.pa.2020.13.62.2.14
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37
The Lied in Schubert's work. Stylistic and interpretive perspectives.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 123, doi. 10.31926/but.pa.2020.13.62.2.13
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38
Aspects of the correlation between empathy and performance in music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 113, doi. 10.31926/but.pa.2020.13.62.2.12
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39
The Semantics and Pragmatics of the character of Edgardo from Donizetti's Lucia di Lammermoor.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 101, doi. 10.31926/but.pa.2020.13.62.2.11
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40
Fantastic Piece for the Piano op. 142 no. 2 by J. B. Foerster.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 95, doi. 10.31926/but.pa.2020.13.62.2.10
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- Publication type:
- Article
41
The role of operatic repertoire in young singers' professional development.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 85, doi. 10.31926/but.pa.2020.13.62.2.9
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42
Stylistic features of Vivaldi's bassoon concerti.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 65, doi. 10.31926/but.pa.2020.13.62.2.7
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43
Ludwig van Beethoven and the modern music inspired by his compositions.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 59, doi. 10.31926/but.pa.2020.13.62.2.6
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44
Musicians from Bra?ov: Constantin Catrina - An integrated approach to musical folklore.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 49, doi. 10.31926/but.pa.2020.13.62.2.5
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45
Armenian Church music: genres, modes, and notation Issues.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 35, doi. 10.31926/but.pa.2020.13.62.2.4
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46
The Path to Excellence. Celebrating the 100 Years of the Romanian National Opera House Cluj-Napoca. The Hive for Beeing an Opera Singer.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 27, doi. 10.31926/but.pa.2020.13.62.2.3
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47
Transgressing the Wall. Mauricio Kagel and Decanonization of the musical performance.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 7, doi. 10.31926/but.pa.2020.13.62.2.1
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48
Biblical and religious symbols in Italian romantic opera. Perspectives of musical hermeneutics.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 7, doi. 10.31926/but.pa.2020.13.62.2.1
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49
Electronics in Music: Preliminary Stages.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 1, p. 185, doi. 10.31926/but.pa.2020.13.62.1.20
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50
Lyrical contours of Doina from Oltenia. Characteristics and analysis.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 1, p. 173, doi. 10.31926/but.pa.2020.13.62.1.19
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- Article