Figure and Affection in Orgelbüchlein by J. S. Bach.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 65, doi. 10.31926/but.pa.2019.12.61.7
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Works matching IS 2344200X AND DT 2019 AND VI 12
Results: 53
1
2
The influence of playing simultaneously with singing in flute sonority.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 271, doi. 10.31926/but.pa.2019.12.61.52
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3
Ciaccona in D minor from Partita II for solo Violin (BWV 1004) by J.S. Bach and Ciaccona for solo Violin, in B minor, op.21 by R. Barth. Comparative analysis.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 195, doi. 10.31926/but.pa.2019.12.61.44
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4
Expression particulars of Brahms's music language, mirrored in hs Compositions for Piano.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 259, doi. 10.31926/but.pa.2019.12.61.51
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5
Corneliu Dan Georgescu - The Aesthetics of Archetypal Minimalism. Theoretical Considerations.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 225, doi. 10.31926/but.pa.2019.12.61.47
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6
Poetic aspects in the Chamber Music of Adrian Pop.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 277, doi. 10.31926/but.pa.2019.12.61.53
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7
Systematic Mathematical thinking reflected in the Semiology of the Musical Language.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 205, doi. 10.31926/but.pa.2019.12.61.45
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8
A study of the importance of vocal energy on classical singing.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 253, doi. 10.31926/but.pa.2019.12.61.50
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9
Dmitri Shostakovich - Concerto no.2 for cello and orchestra op.126.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 61, doi. 10.31926/but.pa.2019.12.61.29
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10
An exceptional meeting at the Black Church: Emilia Petrescu and Hans Eckart Schlandt.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 243, doi. 10.31926/but.pa.2019.12.61.49
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11
When does the formation of the musical personality begin?
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 233, doi. 10.31926/but.pa.2019.12.61.48
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12
La voix lyrique, l'expression de l'âme.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 39, doi. 10.31926/but.pa.2019.12.61.27
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13
Occupational diseases of the Opera singer: Connection and therapy through the breathing technique.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 215, doi. 10.31926/but.pa.2019.12.61.46
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14
Emotions and Visual Intelligence, resources in the service of Music quality.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 187, doi. 10.31926/but.pa.2019.12.61.43
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15
Musical education or education through music? Transdisciplinary approach to the musical education of the adolescents.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 177, doi. 10.31926/but.pa.2019.12.61.42
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16
Martin Luther's contribution to the crystallization of the Protestant Choral.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 169, doi. 10.31926/but.pa.2019.12.61.41
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17
The Musical repertoire of the Lipovan Russians of Sarichioi - A Form of Preservation and Perpetuation of Ethnic Identity.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 161, doi. 10.31926/but.pa.2019.12.61.41
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18
The Alexander technique in relation to practising, performing and teaching.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 7, doi. 10.31926/but.pa.2019.12.61.11
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19
The Evolution of French Musical Orientalism in the Works of Francisco Salvador-Daniel.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 151, doi. 10.31926/but.pa.2019.12.61.39
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20
Dave Weckl. Particulars of style and performance.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 145, doi. 10.31926/but.pa.2019.12.61.38
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21
Elements of modal harmony in Romanian choral works of some representatives of the genre.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 137, doi. 10.31926/but.pa.2019.12.61.37
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22
The Evolution of the Bessarabian lyrical artists at the Opera Theater in Cluj and Bucharest in the Interwar Period.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 125, doi. 10.31926/but.pa.2019.12.61.36
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23
The musical language in the piano sonatina by Carmen Petra-Basacopol.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 115, doi. 10.31926/but.pa.2019.12.61.35
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24
Revedere/Return by Dan Voiculescu - an exploration of the Romanian folkloric resources.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 107, doi. 10.31926/but.pa.2019.12.61.34
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25
The Cause-Effect Diagram in Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 101, doi. 10.31926/but.pa.2019.12.61.33
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26
Eléments simplifiés pour la pratique de la musique baroque.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 85, doi. 10.31926/but.pa.2019.12.61.32
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27
Accompanying and the Orchestral Reduction of 20th Century Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 77, doi. 10.31926/but.pa.2019.12.61.31
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28
Johann Georg Pisendel: Sonata for violin solo in A minor.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 71, doi. 10.31926/but.pa.2019.12.61.30
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29
À propos des fractales et du chaos dans les études pour piano de György Ligeti.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 47, doi. 10.31926/but.pa.2019.12.61.28
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30
Spiritual dualities revealed by the hermeneutic analysis of Symphony of Psalms by Igor Stravinsky.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 31, doi. 10.31926/but.pa.2019.12.61.26
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31
Disinhibition of the public through happeningperformance (II.): Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convicted to a "dead angle"- aesthetic - perspective
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 25, doi. 10.31926/but.pa.2019.12.61.25
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32
The importance of the Lydian concept by forming the chords with extended notes.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 13, doi. 10.31926/but.pa.2019.12.61.24
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33
Expressions of vocality in romantic opera. Giuseppe Verdi and Richard Wagner.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, p. 7, doi. 10.31926/but.pa.2019.12.61.23
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34
Emotional aspects in the psychology of pop music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 101, doi. 10.31926/but.pa.2019.12.61.22
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35
Aspects of the relationship between Music and Painting and their influence on Schoenberg and Kandinsky.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 92, doi. 10.31926/but.pa.2019.12.61.21
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36
Musica poetica.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 83, doi. 10.31926/but.pa.2019.12.61.20
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37
Phoniatric problems in folk singing teaching.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 75, doi. 10.31926/but.pa.2019.12.61.19
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38
The need to use folklore as a meas to integrate traditionalism and modernism in students' education.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 67, doi. 10.31926/but.pa.2019.12.61.18
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39
The impact of Argentine tango music on the human brain.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 53, doi. 10.31926/but.pa.2019.12.61.17
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40
Fundamental structures of classical music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 45, doi. 10.31926/but.pa.2019.12.61.16
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41
The Dancing character and its absorption in the Solerian Harpsichord repertoire.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 37, doi. 10.31926/but.pa.2019.12.61.15
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42
Observations regarding the perception of dynamic aspects in the "Nocturnes" of Francis Poulenc (II. Nocturnes no. V-VIII).
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 27, doi. 10.31926/but.pa.2019.12.61.14
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43
Johann Heinrich Ignaz Franz von Biber: Rosary Sonatas.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 21, doi. 10.31926/but.pa.2019.12.61.13
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44
Socio-economic views on music therapy.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 2, p. 13, doi. 10.31926/but.pa.2019.12.61.12
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45
The Polyeleos A Good Word in the Musical Reflection of the composer Horaţiu Alexandrescu.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 91, doi. 10.31926/but.pa.2019.12.61.10
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46
The Orchestral Character of Beethoven's Pianism.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 81, doi. 10.31926/but.pa.2019.12.61.9
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47
Simplicity and Mastery. Meter and Rhythm in Part II of the Concerto for piano in G major by Maurice Ravel.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 13, doi. 10.31926/but.pa.2019.12.61.2
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48
Richard Clayderman and André Gagnon - Common References of Componistic Stylistics.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 7, doi. 10.31926/but.pa.2019.12.61.1
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49
Observations regarding the Perception of Dynamic Aspects in the "Nocturnes"of Francis Poulenc (I.Nocturnes no. I-IV).
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 29, doi. 10.31926/but.pa.2019.12.61.3
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50
Innovative Techniques and Methods in Contemporary Musical Education.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2019, v. 12, n. 1, p. 53, doi. 10.31926/but.pa.2019.12.61.6
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