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BUDDHIST MOTIFS IN CHINESE TEXTILE DECORATIONS at the end of the Qing dynasty (1644-1911).
- Published in:
- Art of the Orient, 2023, v. 12, p. 148, doi. 10.15804/aoto202308
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- Article
EYES AS THE WINDOW TO THE SOUL -- a presentation of the gyokugan (...) technique based on experiences at the Meikodo Buddhist Sculpture Conservation Studio in Tokyo.
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- Art of the Orient, 2023, v. 12, p. 118, doi. 10.15804/aoto202307
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- Article
CULTURAL TRADITION OR KITSCH? Buddhist Iconography in the Art of Contemporary East Asian Women Artists.
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- Art of the Orient, 2023, v. 12, p. 110, doi. 10.15804/aoto202306
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- Article
WORKS OF ART AS MODEL FORMS IN THE CONTACT OF RELIGIONS. GLIMPSES FROM JAPAN, CHINA AND INDIA.
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- Art of the Orient, 2023, v. 12, p. 72, doi. 10.15804/aoto202305
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- Article
TWO BUDDHIST FIGURES -- An Interesting Case from the Museum of Lubuskie Region in Zielona Góra.
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- Art of the Orient, 2023, v. 12, p. 60, doi. 10.15804/aoto202304
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- Article
NUMINOUS BUFFALO.
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- Art of the Orient, 2023, v. 12, p. 45, doi. 10.15804/aoto202303
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- Article
BODHISATTVAS IN ANIMAL FORMS.
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- Art of the Orient, 2023, v. 12, p. 24, doi. 10.15804/aoto202302
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- Article
I STOOD ON THE BUDDHA'S HEAD IN BAMIYAN.
- Published in:
- Art of the Orient, 2023, v. 12, p. 8, doi. 10.15804/aoto202301
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- Article
INTRODUCTION.
- Published in:
- Art of the Orient, 2023, v. 12, p. 5
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- Article