DISGUST OR FASCINATION? INSECTS IN WORKS OF CONTEMPORARY EAST ASIAN ARTISTS.
- Published in:
- Art of the Orient, 2020, v. 9, p. 155, doi. 10.15804/aoto202007
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- Publication type:
- Article
Works matching IS 2299811X AND DT 2020 AND VI 9
Results: 8
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DEPICTIONS OF ANIMALS IN THE SATIRICAL WAR PRINTS OF KOBAYASHI KIYOCHIKA.
- Published in:
- Art of the Orient, 2020, v. 9, p. 134, doi. 10.15804/aoto202006
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- Publication type:
- Article
3
CONFUCIAN VALUES PRESENTED IN DEPICTIONS OF BIRDS ON CHINESE TEXTILES from the Qing Dynasty period (1644–1912).
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- Art of the Orient, 2020, v. 9, p. 115, doi. 10.15804/aoto202005
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- Article
4
ANIMAL MOTIFS REPRESENTING SIPJANGSAENG (LONGEVITY) AND SAMGANG ORYUN (BASIC VIRTUES OF NEO-CONFUCIAN SOCIAL ETHICS) IN THE FURNITURE AND DECOR OF A TRADITIONAL KOREAN HOUSE.
- Published in:
- Art of the Orient, 2020, v. 9, p. 95, doi. 10.15804/aoto202004
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- Publication type:
- Article
5
MULTIPLE ROLES OF DOGS IN INDIA – culture, art and the colonial context.
- Published in:
- Art of the Orient, 2020, v. 9, p. 66, doi. 10.15804/aoto202003
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- Publication type:
- Article
6
GOAT-HEADED DEITIES IN ANCIENT INDIAN SCULPTURE.
- Published in:
- Art of the Orient, 2020, v. 9, p. 27, doi. 10.15804/aoto202002
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- Publication type:
- Article
7
THE MEANING OF ANIMAL MOTIFS IN NEOLITHIC CHINA: based on examples of jade figurines and shell mosaics.
- Published in:
- Art of the Orient, 2020, v. 9, p. 7, doi. 10.15804/aoto202001
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- Publication type:
- Article
8
INTRODUCTION.
- Published in:
- Art of the Orient, 2020, v. 9, p. 5
- Publication type:
- Article