MUSIC OF AN ARRESTED FILM: Paul Constantinescu and His Music for the Film Romania in the Fight Against Bolshevism or Our Holy War (1941).Published in:Musicology Today, 2024, v. 59, n. 3, p. 265, doi. 10.69608/MT.59.05By:GHEORGHIȚĂ, NicolaePublication type:Article
Swinging Between Communist Propaganda and the Illusion of Westernization: Richard Oschanitzky's Music in the Films Parașutiștii and Un comisar acuză.Published in:Musicology Today, 2024, v. 59, n. 3, p. 247, doi. 10.69608/MT.59.04By:POPA, FlorinelaPublication type:Article
Film Music Without a Film: Prokofiev's Ivan the Terrible, Authorship, and Cold War Politics.Published in:Musicology Today, 2024, v. 59, n. 3, p. 203, doi. 10.69608/MT.59.01By:BARTIG, KevinPublication type:Article
Music, Shadows on the Screen and Politics (I).Published in:Musicology Today, 2024, v. 59, n. 3, p. 201By:POPA, FlorinelaPublication type:Article
Imagining Ireland Musically: The Affordance and Evidence of Late 20th-Century Cinema.Published in:Musicology Today, 2024, v. 59, n. 3, p. 219, doi. 10.69608/MT.59.02By:WHITE, HarryPublication type:Article
The Polyphony Between Image and Music in the Crafting of National Myths: Theodor Grigoriu's Music for Dacii and Columna.Published in:Musicology Today, 2024, v. 59, n. 3, p. 233, doi. 10.69608/MT.59.03By:SANDU-DEDIU, ValentinaPublication type:Article