The Sonatas for Cello and Piano by Bohuslav Martinů and Francis Poulenc: A Possible Interpretation.Published in:Musicology Today, 2018, v. 34, n. 2, p. 77By:BUTNARU, AndreeaPublication type:Article
Dinu Lipatti’s Fantasy for Piano, Op. 8.Published in:Musicology Today, 2018, v. 34, n. 2, p. 101By:DIMULESCU, FaustaPublication type:Article
Harmonization of Opposites in Anatol Vieru’s Oeuvre*.Published in:Musicology Today, 2018, v. 34, n. 2, p. 111By:Lupu, OlguțaPublication type:Article
From Role to Reading: The Dramatic Soprano Monologue in Wagner’s Elsa of Brabant.Published in:Musicology Today, 2018, v. 34, n. 2, p. 61By:ISAEV, IuliaPublication type:Article
Artistic Management on Your Own: A How-To Guide of Reliable Solutions. Case Study: Bucharest Symphonic Orchestra (OSB).Published in:Musicology Today, 2018, v. 34, n. 2, p. 117By:OPRIȚOIU, CătălinPublication type:Article
Romanian Musicology (3).Published in:Musicology Today, 2018, v. 34, n. 2, p. 59By:SANDU-DEDIU, ValentinaPublication type:Article