Whose Triumph? The Reception History of Bertel Thorvaldsen’s Frieze Alexander the Great’s Entry into Babylon (1812).
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- Romantik, 2022, v. 11, n. 1, p. 105, doi. 10.14220/jsor.2022.11.1.105
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- Article
Works matching IS 2245599X AND DT 2022 AND VI 11 AND IP 1
Results: 6
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Ribera, Gautier, and the French Taste for Violent Painting.
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- Romantik, 2022, v. 11, n. 1, p. 73, doi. 10.14220/jsor.2022.11.1.73
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- Article
3
“And what if I enwreathed my own?” Literary Tourism as Transplantation in Wordsworth’s Yarrow Poems.
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- Romantik, 2022, v. 11, n. 1, p. 51, doi. 10.14220/jsor.2022.11.1.51
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- Article
4
Remembering Norse America and Scandinavian Identity: Oehlenschläger’s Heroic Vinland Play.
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- Romantik, 2022, v. 11, n. 1, p. 27, doi. 10.14220/jsor.2022.11.1.27
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- Article
5
The Evolution of Ukrainian Literary Reception: Insights from the Translation of Hans Christian Andersen’s Works.
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- Romantik, 2022, v. 11, n. 1, p. 11, doi. 10.14220/jsor.2022.11.1.11
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- Article
6
Introduction.
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- Romantik, 2022, v. 11, n. 1, p. 7, doi. 10.14220/jsor.2022.11.1.7
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- Article