The Hamlet Impasse: theater creative process in Goethe’s Wilhelm Meister’s Apprenticeship.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660134016vs02
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- Article
Works matching IS 22372660 AND DT 2024 AND VI 14 AND IP 3
Results: 9
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Body (Auto)Biographed in Facial Hair Transplants (1972) and Rape Scene (1973): configurations of meanings for a feminist performative pedagogy.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660133253vs02
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- Article
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Maquinical Ensembles in Fugue: feminisms and performativity in two Andean music groups from Argentina.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660132203vs02
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- Article
4
Gender Issues and Beyond: intersectionality in Drag Art.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660132185vs02
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- Article
5
Queer Sewing as a Way of Life: resistances to neoconservatisms of race and gender.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660132182vs02
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- Article
6
Wolves, horses, bitches and other characters of gender violence in the work of Carolina Bianchi.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660132178vs02
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- Article
7
Gender Scripts and Children’s Performances that Reverberate in the Context of Early Childhood Education.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660132192vs02
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- Article
8
When Theater is at the Vanguard: Ludovina Soares da Costa and The Deaf and Dumb or the Abbé de l’Épée: an Historical Drama.
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- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660132026vs02
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- Article
9
A Bearded Amazon.
- Published in:
- Revista Brasileira de Estudos da Presenca, 2024, v. 14, n. 3, p. 1, doi. 10.1590/2237-2660130333vs02
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- Article