The emergence of contact improvisation in the aesthetic-political laboratory of the 60s and 70s.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660122206
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- Article
Works matching IS 22372660 AND DT 2022 AND VI 12 AND IP 2
Results: 9
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O púlpito como cena: performance e teatralidade em Damares Alves.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660113634
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- Article
3
Figures of movement in Athenian tragedy of the 5<sup>th</sup> century BC.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660123277
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- Article
4
Corporeal Mime in embers: intimacy, performative atelier and intervention in the creations of Duo Mimexe.
- Published in:
- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660122913
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- Article
5
From Heyday to Decay: The Crisis of Buenos Aires' Yiddish Theatre Scene during the 1960s.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660122279
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- Article
6
Exu Steps on the Single-Branch Stump: performance and performativity in Exu.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660121675
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- Article
7
Return to Paris: Thomas Ostermeier and the performatization of the gay identity.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660110895>
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- Article
8
Collapse tactics in performing arts: on the urgency of surviving and standing up.
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- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660123084
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- Article
9
A interpretação em cena: transformar um laboratório em espetáculo.
- Published in:
- Revista Brasileira de Estudos da Presenca, 2022, v. 12, n. 2, p. 1, doi. 10.1590/2237-2660124439
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- Article