Rhythmic Variations of Kereshmeh in Pishdaramad's of Darvish-Khan.
- Published in:
- Journal of Fine Arts: Performing Arts & Music, 2024, v. 29, n. 4, p. 79, doi. 10.22059/jfadram.2024.375606.615878
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- Article
Works matching IS 22286012 AND DT 2024 AND VI 29 AND IP 4
Results: 6
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Aesthetics in Experimental Animations Based on Pop Art Elements from the Perspective of John Dewey.
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- Journal of Fine Arts: Performing Arts & Music, 2024, v. 29, n. 4, p. 65, doi. 10.22059/jfadram.2024.381837.615936
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- Article
3
Interaction Between Story and Narrative Discourse in Abbas Kiarostami's Cinema, With a Focus on the Movie Certified Copy.
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- Journal of Fine Arts: Performing Arts & Music, 2024, v. 29, n. 4, p. 41, doi. 10.22059/jfadram.2024.379284.615902
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- Article
4
Dianoia: The Distinguishing Aspect of Ta'ziyeh from Tragedy.
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- Journal of Fine Arts: Performing Arts & Music, 2024, v. 29, n. 4, p. 53, doi. 10.22059/jfadram.2024.371512.615837
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- Article
5
Invisible Trap (1979): A Utopian Representation of the Surveillance Society in the Second Pahlavi Government.
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- Journal of Fine Arts: Performing Arts & Music, 2024, v. 29, n. 4, p. 27, doi. 10.22059/jfadram.2024.373864.615863
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6
The Function of Thresholds in Asghar Farhadi's Three Films Based on the Theories of Bakhtin and Kristeva.
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- Journal of Fine Arts: Performing Arts & Music, 2024, v. 29, n. 4, p. 7, doi. 10.22059/jfadram.2024.376902.615887
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- Article