Production Review: The Head and the Load.
- Published in:
- SAMUS: South African Music Studies, 2023, v. 43/44, p. 315, doi. 10.69684/samus.2024.44.1.24
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- Publication type:
- Article
Works matching IS 2223635X AND DT 2023 AND VI 43/44
Results: 25
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Album Review: Malcolm Dedman: Piano Music, Volume One.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 313, doi. 10.69684/samus.2024.44.1.23
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- Article
3
Book Review: Lion's Share: Remaking South African Copyright.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 310, doi. 10.69684/samus.2024.44.1.22
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- Article
4
Book Review: Activism through Music during the Apartheid Era and Beyond: When Voices Meet.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 308, doi. 10.69684/samus.2024.44.1.1
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- Article
5
Book review: Playing the Changes at an African University and on the Road.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 303, doi. 10.69684/samus.2024.44.1.20
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- Publication type:
- Article
6
Book Review: Sound Fragments: From Field Recording to African Electronic Stories.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 298, doi. 10.69684/samus.2024.44.1.19
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- Publication type:
- Article
7
Book review: Opera in Cape Town: The Critic's Voice.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 295, doi. 10.69684/samus.2024.44.1.18
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- Article
8
Book review: The Artistry of Bheki Mseleku.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 292, doi. 10.69684/samus.2024.44.1.17
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- Publication type:
- Article
9
Book Review: Music, Art and Emotion: Depictions of the Night Inspired by Romantic Art Song (2022).
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 290, doi. 10.69684/samus.2024.44.1.16
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- Article
10
The Merging of Stasis and Forward Movement in Marimba for Solo Flute by Hendrik Hofmeyr.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 274, doi. 10.69684/samus.2024.44.1.15
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- Article
11
Musical Forces as a Tool for Music Analysis: Understanding Syrinx by Claude Debussy Differently.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 259, doi. 10.69684/samus.2024.44.1.14
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- Publication type:
- Article
12
The Interplay between Flow States in Music Listening Experiences and Self-Actualisation: An Autoethnography of a Queer Music Educator.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 225, doi. 10.69684/samus.2024.44.1.13
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- Article
13
The Theory of Musical Forces: Filling Some Gaps with Integrations and Expansions.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 210, doi. 10.69684/samus.2024.44.1.12
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- Article
14
Gideon Fagan's Late Style: the Suite for Strings (1974).
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 181, doi. 10.69684/samus.2024.44.1.11
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- Publication type:
- Article
15
Some (after)thoughts on Arnold van Wyk's Ricordanza (1984).
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 163, doi. 10.69684/samus.2024.44.1.10
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- Publication type:
- Article
16
Reframing the Hybridity Discourse in Twenty-First Century African Art Music: A Composer's Perspective.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 137, doi. 10.69684/samus.2024.44.1.09
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- Publication type:
- Article
17
Assessing Practice Strategies in First-year South African Music Students: Considering the Value of a Standardised Practice Questionnaire.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 121, doi. 10.69684/samus.2024.44.1.08
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- Publication type:
- Article
18
Community Music Education for Black Africans during Apartheid and in Post-Apartheid South Africa.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 108, doi. 10.69684/samus.2024.44.1.07
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- Article
19
Lecturers' Views on Teaching Composition at South African Universities: A Qualitative Enquiry.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 94, doi. 10.69684/samus.2024.44.1.06
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20
'The Diary of an Independent Zulu Queer Queen': An Analysis of Toya Delazy's Curated Persona on Instagram.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 76, doi. 10.69684/samus.2024.44.1.05
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- Publication type:
- Article
21
Sex Machines: Performing and Critiquing Masculinity in the Music of Stereo Zen.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 62, doi. 10.69684/samus.2024.44.1.04
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22
Xenochronic Encounters at the Africa Open Improvising Collective.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 27, doi. 10.69684/samus.2024.44.1.02
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- Article
23
Insiders on the Margins: A Conversation with Susan Barry.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 8, doi. 10.69684/samus.2024.44.1.01
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- Article
24
Editorial: On Deciduousness and Assiduousness.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 4
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- Article
25
Ife and Bilal: Reflections on an Afro-Asian intercultural, practice-based intervention.
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- SAMUS: South African Music Studies, 2023, v. 43/44, p. 47, doi. 10.69684/samus.2024.44.1.03
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- Publication type:
- Article