The Music Department in South Africa as a Mirror of Racial Tension and Transformative Struggle: A Critical Ethnographic Perspective.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 515
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- Publication type:
- Article
Works matching IS 2223635X AND DT 2020 AND VI 40
Results: 22
1
2
Higher Music Education and the Introduction of Music Business Programmes.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 483
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- Article
3
Black Experiences in Opera: Perspectives from South Africa, Europe and the US.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 292
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- Publication type:
- Article
4
Surveying Post-Apartheid Curricular Change at Four South African Tertiary Music Departments.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 419
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- Publication type:
- Article
5
Perspectives on Decolonisation and its Implications for Jazz Curricula and Teaching Approaches.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 379
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- Publication type:
- Article
6
'That Things are Status Quo is the Catastrophe': Administrating the Arts of Exclusion in an Inclusive Age.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 349
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- Publication type:
- Article
7
Resoundings: Transformative Practices in South African Music Studies.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 345
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- Publication type:
- Article
8
Disruption: Gender, Jazz and the Lady Day Big Band.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 463
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- Publication type:
- Article
9
Reflecting on the Absences in Opera.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 281
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- Publication type:
- Article
10
The La Traviata Affair.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 269
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- Publication type:
- Article
11
Postcards from the platteland: Avant-garde Aesthetics and Nostalgia in Poskantoor's (2014) Paratexts.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 239
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- Publication type:
- Article
12
Akin Euba and Léopold Senghor: Intercultural Music, Négritude and Chaka Zulu.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 211
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- Publication type:
- Article
13
Border-crossing, Impact, and Transformation Keynote Delivered at the Annual Conference of the South African Society for Research in Music, 2019.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 185
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- Publication type:
- Article
14
Dizu Plaatjies and the Amampondo: A Case of Music, Agency and Social Transformation.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 156
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- Publication type:
- Article
15
Improving Professional Working Relations between Musicians, Musician Managers and Music Promoters in the Developing South African Music Industry.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 125
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- Publication type:
- Article
16
An Interview with Jürgen Bräuninger, University of KwaZulu-Natal, 12 August 2005.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 101
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- Publication type:
- Article
17
Jürgen Bräuninger Remembered.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 75
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- Publication type:
- Article
18
On Misreadings and Greatness: Thoughts on the Mature Piano Music of Arnold van Wyk.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 56
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- Publication type:
- Article
19
Graham Newcater: Composing Untimely.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 29
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- Publication type:
- Article
20
On the Fragile Joys of Interpretation: A Response to Kevin Volans.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 23
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- Publication type:
- Article
21
Response to 'Between the Musical Anti- and Post-Apartheid: Structures of Crisis in Kevin Volans's String Quartet no. 5, Dancers on a Plane' (2019).
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 17
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- Publication type:
- Article
22
Music, Scholarship and Cultures of Care.
- Published in:
- SAMUS: South African Music Studies, 2020, v. 40, p. 1
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- Publication type:
- Article