Works matching IS 2223635X AND DT 2020 AND VI 40
Results: 22
The Music Department in South Africa as a Mirror of Racial Tension and Transformative Struggle: A Critical Ethnographic Perspective.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 515
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Higher Music Education and the Introduction of Music Business Programmes.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 483
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Disruption: Gender, Jazz and the Lady Day Big Band.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 463
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Surveying Post-Apartheid Curricular Change at Four South African Tertiary Music Departments.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 419
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Perspectives on Decolonisation and its Implications for Jazz Curricula and Teaching Approaches.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 379
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'That Things are Status Quo is the Catastrophe': Administrating the Arts of Exclusion in an Inclusive Age.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 349
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Resoundings: Transformative Practices in South African Music Studies.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 345
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Black Experiences in Opera: Perspectives from South Africa, Europe and the US.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 292
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Postcards from the platteland: Avant-garde Aesthetics and Nostalgia in Poskantoor's (2014) Paratexts.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 239
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Jürgen Bräuninger Remembered.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 75
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The La Traviata Affair.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 269
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On Misreadings and Greatness: Thoughts on the Mature Piano Music of Arnold van Wyk.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 56
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Reflecting on the Absences in Opera.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 281
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An Interview with Jürgen Bräuninger, University of KwaZulu-Natal, 12 August 2005.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 101
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Akin Euba and Léopold Senghor: Intercultural Music, Négritude and Chaka Zulu.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 211
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Graham Newcater: Composing Untimely.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 29
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Border-crossing, Impact, and Transformation Keynote Delivered at the Annual Conference of the South African Society for Research in Music, 2019.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 185
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Dizu Plaatjies and the Amampondo: A Case of Music, Agency and Social Transformation.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 156
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Improving Professional Working Relations between Musicians, Musician Managers and Music Promoters in the Developing South African Music Industry.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 125
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On the Fragile Joys of Interpretation: A Response to Kevin Volans.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 23
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Response to 'Between the Musical Anti- and Post-Apartheid: Structures of Crisis in Kevin Volans's String Quartet no. 5, Dancers on a Plane' (2019).
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- SAMUS: South African Music Studies, 2020, v. 40, p. 17
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Music, Scholarship and Cultures of Care.
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- SAMUS: South African Music Studies, 2020, v. 40, p. 1
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