Whose Music is Ethnic? A Response to Winfried Lüdemann.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 20
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- Publication type:
- Article
Works matching IS 2223635X AND DT 2019 AND VI 39
Results: 16
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Dancing with Philosophy: A Ficto-Critical Report on Timothy Taylor’s Critique of Kevin Volans.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 92
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- Article
3
‘I might seem out of place here’: Exploring Whiteness and Belonging in Hog Hoggidy Hog’s Oink!.
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- SAMUS: South African Music Studies, 2019, v. 39, p. 23
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- Publication type:
- Article
4
We know your place.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 1
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- Publication type:
- Article
5
‘Nothing’s straightforward, I’m afraid’: An Interview with John Joubert at his Home at 63 School Road, Birmingham, 12 January 2001.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 239
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- Publication type:
- Article
6
On Composition and Teaching – An Interview with Kevin Volans.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 182
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- Publication type:
- Article
7
Report on the 2019 Kevin Volans Lecture Series in Johannesburg.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 176
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- Publication type:
- Article
8
‘They called me the “Ag Pleez Deddy” man’: On the (Be)longing of Jeremy Taylor.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 44
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- Publication type:
- Article
9
Bridging Art and Traditional Music at the University of Ghana: Intellectual Legacies of J.H. Kwabena Nketia and Akin Euba.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 213
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- Publication type:
- Article
10
This Is How It Is: A Tribute to Kevin Volans.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 209
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- Publication type:
- Article
11
‘Being in the Zone’: Towards a Conceptual Understanding of Flow during Optimal Solo Performance.
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- SAMUS: South African Music Studies, 2019, v. 39, p. 315
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- Publication type:
- Article
12
Between the Musical Anti- and Post-Apartheid: Structures of Crisis in Kevin Volans’s String Quartet No. 5, Dancers on a Plane.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 134
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- Article
13
On Loss.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 1
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- Publication type:
- Article
14
Review Article: Arnold Schoenberg’s Op 11/1, Friedrich Hartmann’s Fully-Chromaticised Scales and Analytical System, and the Henk Temmingh-Bernard van der Linde Debate.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 345
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- Publication type:
- Article
15
A Sisgwenjazz Selection.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 290
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- Publication type:
- Article
16
I Blog What I Miss: Reflections on the Decline of South African Music Journalism.
- Published in:
- SAMUS: South African Music Studies, 2019, v. 39, p. 269
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- Publication type:
- Article