Political Speculations on Music and Social Cohesion.
- Published in:
- 2016
- By:
- Publication type:
- Letter to the Editor
Works matching IS 2223635X AND DT 2016 AND VI 34/35
Results: 29
1
2
Some Implications of Being Undone by Music: A Response to Christopher Ballantine.
- Published in:
- 2016
- By:
- Publication type:
- Letter to the Editor
3
On Being Undone by Music: Thoughts Towards a South African Future Worth Having.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 501
- By:
- Publication type:
- Article
4
Exploring the Role of Pianists' Emotional Engagement with Music in a Solo Performance.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 459
- By:
- Publication type:
- Article
5
Analysing 'from the inside out': Frederic Rzewski's De Profundis from a Performer's Perspective.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 426
- By:
- Publication type:
- Article
6
The Flute Becomes a Gun: A Flautist's Perspectives on Aryan Kaganof's Film Night is Coming: A Threnody for the Victims of Marikana.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 408
- By:
- Publication type:
- Article
7
River Blindness.
- Published in:
- 2016
- By:
- Publication type:
- Poem
8
Negotiating Vision: Listening with the Eyes and Hearing Landscape Critically.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 364
- By:
- Publication type:
- Article
9
Disquiet.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 352
- By:
- Publication type:
- Article
10
What do we then do, Aryan? Where do we then go?
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 337
- By:
- Publication type:
- Article
11
A Literary Critique of Death Songs: Night is Coming - A Threnody for the Victims of Marikana.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
12
From Strange Rooms: Music, Landscape, and the Failure of Response.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
13
No Consolation: The Poetics of Lament and the Insistence of Complicity.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
14
Sounding the Cape: Music, Identity and Politics in South Africa.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
15
Experiences of Belonging and Exclusion in the Production and Reception of Some Contemporary South African Jazz: An Interpretative Phenomenological Analysis.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 262
- By:
- Publication type:
- Article
16
Peter Rezant: Doyen of South African Jazz-Band Leaders.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 229
- By:
- Publication type:
- Article
17
Keeping Time: 1964-1974 the Photographs and Cape Town Jazz Recordings of Ian Bruce Huntley.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
18
Cracking the Rhythm Codes in the Music of the Lumko District.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 171
- By:
- Publication type:
- Article
19
Andrew Tracey: Performer, Scholar, Teacher, Mentor.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 146
- By:
- Publication type:
- Article
20
Andrew Tracey and the Art of Embodied Knowledge.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 141
- By:
- Publication type:
- Article
21
The Girls in the Baobab: Venda Stories from the Limpopo Valley.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
22
From the Incompatible to the Provisionally Synthesised in the Music of Robert Fokkens.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 109
- By:
- Publication type:
- Article
23
Interview with Robert Fokkens.
- Published in:
- 2016
- By:
- Publication type:
- Interview
24
Conference Report: South African Society for Research in Music Eighth and Ninth Annual Congresses.
- Published in:
- 2016
- By:
- Publication type:
- Proceeding
25
Opinion Piece: The 'Reshef Affair': A Personal Reflection.
- Published in:
- 2016
- By:
- Publication type:
- Opinion
26
Conference Report: Contesting Freedoms - A Colloquium on Music Studies in a Democratic South Africa, University of South Africa, 27-28 March 2014.
- Published in:
- 2016
- By:
- Publication type:
- Conference Paper/Materials
27
Shifty Records in Apartheid South Africa: Innovations in Independent Record Company Resistance.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 29
- By:
- Publication type:
- Article
28
The Politics of Musical Meaning: The Case of Jeanne Zaidel-Rudolph's Masada.
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. 1
- By:
- Publication type:
- Article
29
Crisis? What Crisis?
- Published in:
- SAMUS: South African Music Studies, 2016, v. 34/35, p. vii
- By:
- Publication type:
- Article