Frank Zappa (1940-1993).
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 167, doi. 10.7203/eutopias.27.29294
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Works in EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, Vol 27
Results: 17
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Olympisme. Une histoire du monde. Des premiers jeux olympiques d'Athenes 1896 aux jeux olympiques et paralympiques de Paris 2024.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 163, doi. 10.7203/eutopias.27.29293
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3
Iceberg Borau. La voz oculta de un cineasta.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 159, doi. 10.7203/eutopias.27.29292
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4
«Ciò che non esprimo muore». Pasolini e Lorca: due traiettorie a confronto.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 155, doi. 10.7203/eutopias.27.29291
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5
Construyendo puentes. La travesía de la narrativa española en los Estados Unidos (1870-1975).
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 151, doi. 10.7203/eutopias.27.29290
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6
Narrative Catastrophe and its Aftermath: On the Potentiation of Notation as a Form of Negative Virtuality in Pier Paolo Pasolini's Work.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 133, doi. 10.7203/eutopias.27.29074
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7
Legittimazione e strategia della narrazione nei film Il Decameron e Salò di Pier Paolo Pasolini.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 125, doi. 10.7203/eutopias.27.28625
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8
La visualidad háptica y la modalidad subjetiva indirecta libre en el cine queer: un diálogo entre Pasolini y Martel.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 109, doi. 10.7203/eutopias.27.28417
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9
Immagini delle Passioni in Mamma Roma.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 99, doi. 10.7203/eutopias.27.28696
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10
«Perché realizzare un'opera quando è così bella sognarla soltanto?» L'atto creativo nel cinema di Pasolini.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 91, doi. 10.7203/eutopias.27.28677
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11
Pasolini e i miti dell'Eros, della morte e del sacro: Da Bach e Dante a Caravaggio e Bataille.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 77, doi. 10.7203/eutopias.27.28593
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12
L'inferno dantesco al margine della Città Eterna: Pasolini e la tradizione di messa in scena della periferia romana.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 65, doi. 10.7203/eutopias.27.28416
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13
La biblioteca de Pasolini: museo imaginario, boîte-en-valise y figura de autor.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 53, doi. 10.7203/eutopias.27.28415
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14
Diálogos con Pasolini.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 51, doi. 10.7203/eutopias.27.29288
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15
Medios de comunicación social y cultura europea: hacia un modelo propio de la comunicación en Europa.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 21, doi. 10.7203/eutopias.27.26734
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16
La sombra de Marie es alargada.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 5, doi. 10.7203/eutopias.27.28525
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17
Dialéctica de la tradición: Transición política y cultura democrática.
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- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 27, p. 35, doi. 10.7203/eutopias.27.28361
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