Aesthetics, Ownership, and Form of Life in Agamben's The Highest Poverty.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 99
- By:
- Publication type:
- Article
Works matching IS 21671931 AND DT 2014 AND VI 2 AND IP 4
Results: 7
1
2
"Non-Film": A Dialogue between Rancière and Panahi on Asceticism as a Political Aesthetic.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 92
- By:
- Publication type:
- Article
3
Schopenhauer, Beckett, and the Impoverishment of Knowledge.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 66
- By:
- Publication type:
- Article
4
Poverty/Line: Aesthetic and Political Subjects in Santiago Sierra's "Line" Photographs.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 56
- By:
- Publication type:
- Article
5
The Paradigms of Nicolas Bourriaud: Situationists as Vanishing Point.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 23
- By:
- Publication type:
- Article
6
John Constable's Moving Clouds.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 8
- By:
- Publication type:
- Article
7
Introduction.
- Published in:
- Evental Aesthetics, 2014, v. 2, n. 4, p. 4
- By:
- Publication type:
- Article