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Introductory Notes by the Guest Editors.
- Published in:
- Music & the Moving Image, 2015, v. 8, n. 2, p. 3, doi. 10.5406/musimoviimag.8.2.0003
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- Publication type:
- Article
Congruence-Association Model and Experiments in Film Music: Toward Interdisciplinary Collaboration.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 5, doi. 10.5406/musimoviimag.8.2.0005
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- Publication type:
- Article
Accessing the Mind's Eye and Ear: What Might Lab Experiments Tell Us About Film Music?
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 25, doi. 10.5406/musimoviimag.8.2.0025
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- Article
Audiovisual Styling and the Film Experience: Prospects for Textual Analysis and Experimental Approaches to Understand the Perception of Sound and Music in Movies.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 35
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- Article
Deconstructing Incongruence: A Psycho-semiotic Approach toward Difference in the Film-Music Relationship.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 48, doi. 10.5406/musimoviimag.8.2.0048
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- Publication type:
- Article
Film and Music in Laboratory Experiments: Emotion Induction.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 58, doi. 10.5406/musimoviimag.8.2.0058
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- Publication type:
- Article
Film Music and Visual Attention: A Pilot Experiment using Eye-Tracking.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 69, doi. 10.5406/musimoviimag.8.2.0069
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- Publication type:
- Article
Film, Music, and Experimental Psychology: Reflections and Further Directions.
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- Music & the Moving Image, 2015, v. 8, n. 2, p. 81
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- Publication type:
- Article