He Ahupua'a Ke Mele: The Ahupua'a Land Division as a Conceptual Metaphor for Hawaiian Language Composition and Vocal Performance.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
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- Publication type:
- Article
Works matching IS 21644578 AND DT 2013 AND VI 18
Results: 10
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2
Strictly Second Line: Funk, Jazz, and the New Orleans Beat.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
3
On the Terrace: Ritual Performance of Identity and Conflict by the Shamrock Rovers Football Club Ultras in Dublin.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
4
Total War, Total Anti-War: Music, Holism, and Anti-War Protest.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
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- Publication type:
- Article
5
From the Editors.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- Publication type:
- Article
6
Gypsy Swing as a Medium for Virtuosic Gestures.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
7
Sounding Military Identity through US and Canadian Recruiting Videos.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
8
La Revitalización del Baile Social del Tango en Buenos Aires: Neoliberalismo y Cultura Popular durante la Década de 1990.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
9
In Gamelan You Have to Become One "Feeling": Sensory Embodiment and Transfer of Musical Knowledge.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article
10
I am Tenaku: The Reification and Textuality of "Chi" Suwichan's Karen Harp.
- Published in:
- Ethnomusicology Review, 2013, v. 18, p. 1
- By:
- Publication type:
- Article