The "Hyperbolical Blasphemies" of Nashe and Marlowe in Late Tudor England.Published in:2012By:WARD, ALLYNA E.Publication type:Essay
"False and Fraudulent Meanes"? Representing the Miraculous in the Works of Christopher Marlowe.Published in:2012By:PREEDY, CHLOE KATHLEENPublication type:Essay
"Raving, Impatient, Desperate, and Mad":Tamburlaine's Spectacular Collapse.Published in:2012By:PEARSON, MEG F.Publication type:Essay
Marlowe's Influence and "The True History of George Scanderbeg".Published in:2012By:MCINNIS, DAVIDPublication type:Essay
Embodied Texts and Textual Bodies in Doctor Faustus.Published in:2012By:GRAY, SOPHIEPublication type:Essay
"Poore Schollers": Education and Frustration in Hero and Leander.Published in:2012By:DAVIS-MERCER, MEGHANPublication type:Essay
Men (Don't) Leave: Aeneas as Departing Husband in Dido, Queen of Carthage.Published in:2012By:CHRISTENSEN, ANNPublication type:Essay
Fore-words.Published in:Marlowe Studies: An Annual, 2012, v. 2, p. 1By:STAPLETON, M. L.;SCOTT, SARAH K.Publication type:Article