Halit Refiğ's I Lost My Heart to a Turk: Woman, Islam and Modernity in Turkish Cinema.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 5, doi. 10.5195/cinej.2018.223
- By:
- Publication type:
- Article
Works matching IS 21592411 AND DT 2018 AND VI 7 AND IP 1
Results: 18
1
2
Editorial.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 1, doi. 10.5195/cinej.2018.222
- By:
- Publication type:
- Article
3
Let's Make it American: American Remakes of the British Films.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 238, doi. 10.5195/cinej.2018.221
- By:
- Publication type:
- Article
4
Political Claustrophobia in Lars von Trier's Europa and America Trilogies.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 225, doi. 10.5195/cinej.2018.218
- By:
- Publication type:
- Article
5
Global Cinematic Cities: New Landscape of Film and Media.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
6
Queer Theory and Brokeback Mountain.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
7
The War that Won't Die: The Spanish Civil War in Cinema.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
8
Going Beyond Boundaries: There is a Way and the Use of English Medium in Hausa Film Industry.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 206, doi. 10.5195/cinej.2018.206
- By:
- Publication type:
- Article
9
Comic Venus: Women and Comedy in American Silent Film.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
10
Film and Television Genres of the Late Soviet Era.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
11
Violence in the Postcolonial Ghetto: Ngozi Onwurah's Welcome II the Terrordome (1994).
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 190, doi. 10.5195/cinej.2018.201
- By:
- Publication type:
- Article
12
The Black Tent (1956) and Bengazi (1955): The Image of Arabs in Two Post-Empire Journeys into the Deserts of Libya.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 170, doi. 10.5195/cinej.2018.200
- By:
- Publication type:
- Article
13
Order, Disobedience and Power in Kieslowski's Dekalog.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 143, doi. 10.5195/cinej.2018.199
- By:
- Publication type:
- Article
14
What's in the Backdrop: Representation of Landscape in Bollywood Cinema.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 116, doi. 10.5195/cinej.2018.191
- By:
- Publication type:
- Article
15
Interpersonal Relations as a Tool to Film Directing.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 91, doi. 10.5195/cinej.2018.189
- By:
- Publication type:
- Article
16
From Box Office to Memory: Telling Stories is not an Innocent Act.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 72, doi. 10.5195/cinej.2018.188
- By:
- Publication type:
- Article
17
Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 52, doi. 10.5195/cinej.2018.187
- By:
- Publication type:
- Article
18
Presentation of Nuri Bilge Ceylan and his Cinema in the Turkish Media.
- Published in:
- CINEJ Cinema Journal, 2018, v. 7, n. 1, p. 30, doi. 10.5195/cinej.2018.185
- By:
- Publication type:
- Article