WWA Reflflection: Losing Sight, Making Scholarship.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1271
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- Article
Works matching IS 21577129 AND DT 2021 AND VI 11 AND IP 2
Results: 16
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Visions: The Dance Most of All: Envisioning an Embodied Eighteenth-Century Studies.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1289
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- Article
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Visions: Re-historicizing Genre: Teaching Haywood's The Adventures of Eovaai in a Fantasy-Themed Survey Course.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1283
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- Article
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Race and Racism in Austen Spaces: Eroticizing Men of Empire in Austen.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1294
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Review of Downward Mobility: The Form of Capital and the Sentimental Novel.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1284
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WWA Reflflection: "So Near Approach / The Sports of Children and The Toils of Men": Pandemic Labour, Pandemic Imagination.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1272
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Visions: "If You See Her Face You Die": Orientalist Gothic and Colonialism in Bithia Croker's Indian Ghost Stories.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1276
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Race and Racism in Austen Spaces: National Trust in Jane Austen's Empires of Sugar.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1292
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Race and Racism in Austen Spaces: Notes On A Scandal: Sanditon Fandom's Ongoing Racism And The Danger Of Ignoring Austen Discourse On Social Media.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1290
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Editors' Thanks to Dr. Linda Troost, Editor of ECW.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1297
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Dress as Deceptive Visual Rhetoric in Eliza Haywood's Fantomina.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1275
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WWA Reflflection: Continuing to #Write With Aphra: A Year of Collegiality and Compassion.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1285
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WWA Reflflection: Building Writing Momentum: A Year of Digital Conferences.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1270
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Race and Racism in Austen Spaces: Jane Austen and Regency Romance's Racist Legacy.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1291
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Grasses, Groves, and Gardens: Aphra Behn Goes Green.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1261
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Visions: "Which made it look like a gentleman's": Anne Lister's Use of Lord Byron in Her Construction of a Gentlemanly Image.
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- ABO: Interactive Journal for Women in the Arts, 2021, v. 11, n. 2, p. 1, doi. 10.5038/2157-7129.11.2.1282.
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- Article