Zen and the Calligraphic Image: Postwar Australian Abstraction, 1950s–1960s.
- Published in:
- International Journal of the Image, 2017, v. 8, n. 4, p. 59, doi. 10.18848/2154-8560/CGP/v08i04/59-89
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- Article
Works matching IS 21548560 AND DT 2017 AND VI 8 AND IP 4
Results: 7
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Images of Urban Happiness: A Pilot Study in the Self-representation of Happiness in Urban Spaces.
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- International Journal of the Image, 2017, v. 8, n. 4, p. 97, doi. 10.18848/2154-8560/CGP/v08i04/97-122
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- Article
3
Engaging Faces: The Persistence of Traditional Portrait Painting Practices in a “Post-digital” Age.
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- International Journal of the Image, 2017, v. 8, n. 4, p. 91, doi. 10.18848/2154-8560/CGP/v08i04/91-96
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- Article
4
Meme Wars: Visual Communication in Popular Transhumanism.
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- International Journal of the Image, 2017, v. 8, n. 4, p. 1, doi. 10.18848/2154-8560/CGP/v08i04/1-19
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- Article
5
Messing with Punctum: Cinemagraphs and the Uncanny.
- Published in:
- International Journal of the Image, 2017, v. 8, n. 4, p. 51, doi. 10.18848/2154-8560/CGP/v08i04/51-57
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- Article
6
Millennial Exploration of Good Design: Perceptions of the Elements of Design through Images and Language.
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- International Journal of the Image, 2017, v. 8, n. 4, p. 39, doi. 10.18848/2154-8560/CGP/v08i04/39-50
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- Article
7
Exoticizing Hans Staden and Albert Eckhout: The Circuit of Visual Images between Brazil and Europe in the Sixteenth and Seventeenth Centuries.
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- International Journal of the Image, 2017, v. 8, n. 4, p. 21, doi. 10.18848/2154-8560/CGP/v08i04/21-37
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- Article