Deconstructing Hypertruth: Baudrillard's Semiotic Analysis.
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- International Journal of the Image, 2024, v. 15, n. 2, p. 19, doi. 10.18848/2154-8560/CGP/v15i02/19-36
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Works in International Journal of the Image, 2024, Vol 15, Issue 2
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The Masters' Viewfinders: Cinematography in 1930s and 40s John Ford Films.
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- International Journal of the Image, 2024, v. 15, n. 2, p. 1, doi. 10.18848/2154-8560/CGP/v15i02/1-17
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Between Code and Interpretation: The Journey of Absences Through Pixels.
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- International Journal of the Image, 2024, v. 15, n. 2, p. 37, doi. 10.18848/2154-8560/CGP/v15i02/37-58
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