Culture v. Capital: The Rebecca Belmore Case.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 77, doi. 10.5195/contemp.2014.96
- By:
- Publication type:
- Article
Works matching IS 21535914 AND DT 2014 AND VI 3 AND IP 1
Results: 17
1
2
On the Coevalities of the Contemporary in Cambodia. Review: Sampot: The Collection of Small Things by Chan Dany.
- Published in:
- 2014
- By:
- Publication type:
- Exhibition Review
3
What to do with the "Most Modern" Artworks? Erwin Panofsky and the Art History of Contemporary Art.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 38, doi. 10.5195/contemp.2014.81
- By:
- Publication type:
- Article
4
Unfolding the In-between Image: The Emergence of an Incipient Image at the Intersection of Still and Moving Images.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 50, doi. 10.5195/contemp.2014.80
- By:
- Publication type:
- Article
5
Mapping Collected Memory: An Exploration of Memory-Based Navigation in Amman, Jordan.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 138, doi. 10.5195/contemp.2014.77
- By:
- Publication type:
- Article
6
Artificial Hells: A Conversation with Claire Bishop.
- Published in:
- 2014
- By:
- Publication type:
- Interview
7
Creating National Narrative: The Red Guard Art Exhibitions and the National Exhibitions in the Chinese Cultural Revolution 1966-1976.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 117, doi. 10.5195/contemp.2014.58
- By:
- Publication type:
- Article
8
"The Great Palace of American Civilization" Allen Eaton’s Arts and Crafts of the Homelands, 1919-1932.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 98, doi. 10.5195/contemp.2014.56
- By:
- Publication type:
- Article
9
Artist Statement: rial and tERROR.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 160, doi. 10.5195/contemp.2014.119
- By:
- Publication type:
- Article
10
Editorial Notes: Exhibition Complex: Displaying People, Identity, and Culture.
- Published in:
- 2014
- By:
- Publication type:
- Proceeding
11
Skin Deep: Surfacing with Leigh-Ann Pahapill.
- Published in:
- 2014
- By:
- Publication type:
- Exhibition Review
12
Kinetic Systems: Jack Burnham and Hans Haacke.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 62, doi. 10.5195/contemp.2014.57
- By:
- Publication type:
- Article
13
Contemporary Art: World Currents in Transition Beyond Globalization.
- Published in:
- Contemporaneity: Historical Presence in Visual Culture, 2014, v. 3, n. 1, p. 163, doi. 10.5195/contemp.2014.112
- By:
- Publication type:
- Article
14
Vision and Desire in Postcolonial Australia: A Conversation with Alison Ravenscroft.
- Published in:
- 2014
- By:
- Publication type:
- Interview
15
From Ornament to Object: Genealogies of Architectural Modernism by Alina Payne.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
16
Counter-Memory, Heterochronia, and "History Painting" (After Géricault): Dierk Schmidt’s SIEV-X—On a Case of Intensified Refugee Politics.
- Published in:
- 2014
- By:
- Publication type:
- Essay
17
Today's Cutting Edge is Tomorrow's Obsolete: An Interview with Cory Arcangel and Tina Kukielski.
- Published in:
- 2014
- By:
- Publication type:
- Interview