Found: 17
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Detective Stories from Sherlock Holmes to Whitechapel.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 1, doi. 10.7596/taksad.v4i2.421
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THE SEARCH FOR IDENTITY OF A WOMAN BETWEEN "THIRD WORLD" AND "FIRST WORLD" IN MUKHERJEE'S JASMINE.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 12, doi. 10.7596/taksad.v4i2.430
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The Language of Paradox in the Ironic Poetry of Emily Dickinson.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 24, doi. 10.7596/taksad.v4i2.431
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Perception Operation in Shakespeare's Julius Caesar.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 39, doi. 10.7596/taksad.v4i2.432
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May Sinclair's and H. G. Wells's Involvement in the Suffrage Movement.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 56, doi. 10.7596/taksad.v4i2.433
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Womanliness as Masquerade: Tracing Luce Irigaray's Theory in Angela Carter's Nights at the Circus.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 71, doi. 10.7596/taksad.v4i2.434
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- Article
A Modernist Approach to T.S Eliot's "The Love Song of J. Alfred Prufrock".
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 80, doi. 10.7596/taksad.v4i2.435
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Power in Jeopardy: A Poststructuralist Reading of the Arthurian Legend from Malory's Le Morte d'Arthur and Tennyson's Idylls of the King to Tolkien's The Lord of the Rings.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 88, doi. 10.7596/taksad.v4i2.436
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Gender Politics in To the Lighthouse.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 103, doi. 10.7596/taksad.v4i2.438
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The Problems and Intentions of Structuralist Theory: The Mathematics of Mahur Beste.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 113, doi. 10.7596/taksad.v4i2.442
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Scapegoating Non-Conforming Identities: Witchcraft Hysteria in Arthur Miller's The Crucible and Caryl Churchill's Vinegar Tom.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 123, doi. 10.7596/taksad.v4i2.444
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There and Back Again': The Quest and Self-Discovery in J.R.R. Tolkien's The Hobbit.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 136, doi. 10.7596/taksad.v4i2.448
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The Deconstruction of the Cartesian Dichotomy of Black and Whitein William Blake's The Little Black Boy.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 144, doi. 10.7596/taksad.v4i2.455
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Decentred Centre in John Fowles'sThe Magus.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 158, doi. 10.7596/taksad.v4i2.456
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The Power Struggle between The Colonizer and The Colonized through Fanonism in July's People by Nadine Gordimer.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 169, doi. 10.7596/taksad.v4i2.458
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Correcting the Eyesight: Cosmopolitanism in Chinua Achebe's Things Fall Apart.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 181, doi. 10.7596/taksad.v4i2.470
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From High Fidelity (1995) to Funny Girl (2014) or What Makes Nick Hornby's Novels so Popular.
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- Journal of History, Culture & Art Research / Tarih Kültür ve Sanat Arastirmalari Dergisi, 2015, v. 4, n. 2, p. 192, doi. 10.7596/taksad.v4i2.474
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