Shin Titus Reborn.
- Published in:
- 2024
- By:
- Publication type:
- Arts/Entertainment Review
Works matching IS 20838530 AND DT 2024 AND VI 30 AND IP 45
Results: 14
1
2
Commonplace Reading and Writing in Early Modern England and Beyond.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
3
The Idea of the Book and the Creation of Literature.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
4
Greece Reinvented: Shakespeare’s “Greek Plays” as a Subgenre.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 173, doi. 10.18778/2083-8530.30.11
- By:
- Publication type:
- Article
5
Shakespeare Engraved: Frontispiece and Bardolatry.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 155, doi. 10.18778/2083-8530.30.10
- By:
- Publication type:
- Article
6
Blood and Revenge: Animal Metaphors and Nature in Macbeth and the Oresteia.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 141, doi. 10.18778/2083-8530.30.09
- By:
- Publication type:
- Article
7
Historicizing the Bard of Avon: Shakeshifting Shakespeare and the Constitution of Guarati Literary Culture.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 121, doi. 10.18778/2083-8530.30.08
- By:
- Publication type:
- Article
8
Indian Supplements to Shakespeare: The Hungry and We That Are Young.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 109, doi. 10.18778/2083-8530.30.07
- By:
- Publication type:
- Article
9
“To Go ‘Into’ My Dialect”: Jane Lai’s Cantonese Translation of King Lear and the Historical Context of its Performances in Hong Kong.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 91, doi. 10.18778/2083-8530.30.06
- By:
- Publication type:
- Article
10
Rank Intersectionality and Othello.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 73, doi. 10.18778/2083-8530.30.05
- By:
- Publication type:
- Article
11
“Words, Words, Words.—Between Who?”: Alterations and Interpolations in the RSC Chinese Translation of Hamlet.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 57, doi. 10.18778/2083-8530.30.04
- By:
- Publication type:
- Article
12
Hamlet (Un-)Masked: SPAC’s Hamlet under COVID-19 Restrictions.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 37, doi. 10.18778/2083-8530.30.03
- By:
- Publication type:
- Article
13
New Interpretations and Adaptations of Shakespeare’s Plays in Japan from 2020 to 2023.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 21, doi. 10.18778/2083-8530.30.02
- By:
- Publication type:
- Article
14
Introduction: Local/Global Shakespeare.
- Published in:
- Multicultural Shakespeare: Translation, Appropriation & Performance, 2024, v. 30, n. 45, p. 9, doi. 10.18778/2083-8530.30.01
- By:
- Publication type:
- Article