Works matching IS 20771282 AND DT 2022 AND VI 16 AND IP 1
Results: 7
Burning Fat: Edgar Allan Poe’s “Hop-Frog,” Literary Overproduction, and the Engine of Revenge.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 213, doi. 10.30395/WSR.202212_16(1).0007
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Shakespeare in Mark Twain’s 1601.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 1, doi. 10.30395/WSR.202212_16(1).0001
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從《撒哈拉歲月》英西兩譯本註釋 分析翻譯策略.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 179, doi. 10.30395/WSR.202212_16(1).0006
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從身體行動到體驗「活角色的生」: 晚期風格和史坦尼斯拉夫斯基的 身體行動方法.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 59, doi. 10.30395/WSR.202212_16(1).0003
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Hybridity of Genres in Margaret Cavendish’s The Blazing World.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 139, doi. 10.30395/WSR.202212_16(1).0005
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Seeing and Hearing through Glass: An Exegesis of the Artificial in Der Sandmann.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 119, doi. 10.30395/WSR.202212_16(1).0004
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The Earth’s Tragic Drone: Revealing the Incommunicability of Nature’s Mournful Sounds in Wallace Stevens.
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- Wenshan Review of Literature & Culture, 2022, v. 16, n. 1, p. 25, doi. 10.30395/WSR.202212_16(1).0002
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- Article